People were traveling to lands like Jerusalem or Egypt, the Greek Islands and to cities like Barcelona, Lisbon or Bruges. Merchandise and aliens were bringing along traditions and civilizations different from their own. Another factor that influenced a cultural unity in Italy during the Renaissance was according to Welch the claim of being the inheritor of Rome every major Italian city had.
The culture of the antiquity, Latin or Greek had a major contribution not only in shifting theological and education views of the middle Ages from scholasticism to the humanistic views brought from philosophers like Cicero, Quintilian, Augustine, Plato and Aristotle.
Two major scholar figures in the "humanization" of the educational field were Guarino Veronese and Vittorino da Feltre.
They created a new model of teaching to students, based on the learning of Latin and Greek and the study of Aristotle, Cicero and Plato and their model became the source of inspiration for scholars throughout the whole period of the Renaissance. Like Petrarca and Coluccio, they put a high meaning on accent the cultivation of eloquence. The students were taught about the importance of properly using language in order to achieve the maximum degree of expressing one's ideas. Persuasion of the audience was the final goal of these teaching as being the whole purpose of putting one's ideas to the service of public good. In this respect, students learned grammar and rhetoric, two objects of study that allowed them to make sentences with meaning and to deliver them to the audience through the right arguments and tone.
According to Nicola Abbagnano, there were two opposed views on the Italian humanism: from the point-of-view of the rebirth of classical culture, humanism was not specific to the renaissance period, but it was a continuation of what started in the Middle Ages. Moreover, there are views that are even counter arguing the evolutionary role humanism had in the birth of modern science. In this respect, Abbagnano mentions Hiram Haydn's theory from his book the Counter-Renaissance. He also mentions several other authors, like M.C. Clagett, John H. Randall, Jr. who are also in favor of a current opposing the main role humanism had in the development of modern science. The question Abbagnano chooses to answer is: "has this humanism made a decisive contribution to the history of the ideas that still today constitute the patrimony of western civilization, and in what does this contribution consist?" The studies of Lorenzo Valla who sought and succeeded in proving or disapproving...
The two seem to be squaring off in generosity, each inviting the other to go before him to make obeisance. The postures and figures in the crowd range of arrogance to humility. A figure on the left appears to be frowning haughtily at the scene before him as though he could not possibly give up his dignity to bow before such a poor family. The fact that the setting is
Italian Renaissance Art Mannerism Mannerism is a period of European art that arose from the later years of the Italian High Renaissance around 1520. It went on until around 1580 in Italy, when a more Baroque style developed to take its place, but Northern Mannerism lasted into the first part of the 17th century, all through much of Europe. Stylistically, Mannerism includes an assortment of methods swayed by, and responding to, the
Romantic and Neoclassical Paintings Jean-Auguste-Dominique Ingres and Eugene Delacroix were contemporaries -- but they practiced two very different styles: the former was a Neoclassical painter and the latter a Romantic painter. Neoclassicalism emphasized symmetry and simplicity and found its inspiration in the ancient art of Greece and Rome: its practitioners celebrated the artistic styles of the Greco-Roman world, rejecting the drama of the Baroque and adopting a more intellectualized approached to
Renaissance paintings- VIRGIN AND CHILD Art has always been an important tool for understanding various eras and their influence. It has served as a reflection of the times during which it was created and for this reason, art is considered a very sensitive medium. It quickly absorbs the changes that witnesses in the surrounding culture and society. It is impossible for art to remain static and uninfluenced in the wake of
Indeed the Germans, the French, and the rest looked back to an antiquity in which their ancestors had been subjugated by the legions. Nothing is more remarkable therefore than the rapid and irrevocable penetration of Italian ideas and practices among the "barbarians," as the Italian writers referred to them, some of whom were currently invading the peninsula." (Wiener, 124) it's also important to note that influence of antique classicism
Art History -- High Renaissance raphael, da vinci & MICHELANGELO: THE SUPREME MASTERS OF THE HIGH RENAISSANCE Within a thirty year span, beginning approximately in 1495, the city of Rome replaced Florence as the Italian seat of artistic pre-eminence. A series of powerful and ambitious popes, most notably Julius II and those associated with the rich and powerful De Medici family run by Cosimo De Medici and later on by Lorenzo De Medici,
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