¶ … pain when it comes to being different. In both Zora Neale Hurston's essay "How It Feels to Be Colored Me" and Richard Rodriguez's " Aria: Memoir of a Bilingual Childhood" the two writers discuss the differences they come upon that molded their principles and sentiments as they grew older. For Hurston hers was about being of a dissimilar race than her environment. For Rodriguez, his was about being different by communicating in another language. Both felt the effect it had on not just their lives, but also their thoughts as they matured into adulthood.
Rodriguez and Hurston viewed their differences as some sort of handicap. Each author imagined themselves in some way as being handicapped in life, of either not comprehending the language or not comprehending being of a different race. However, both authors found a way to overcome their personal struggles through turning these thoughts and struggles into growing experience that gave them awareness to generate an opinion and move on with life. Both Hurston and Rodriguez use the stories of their childhood to drive the central points of their essays.
Zora Neale Hurston's "How It Feels to Be Colored Me," consists of a series of remembrances of experiences she had being black and how being black came with a set of its own feelings and nuances. Although at times her color becomes ostensible when in a place, (she stands out of the crowd by being the only person of color) she has full confidence in herself. A good example of this is when she attended the school in Jacksonville. There, she becomes aware of her color, but this did not greatly impact how she reacted to it on a negative level.
When she is listening to the sounds of jazz music, she understands that being "colored" is not just what the color of her skin is, but the colors that are inside her and make her more animated, and more knowledgeable. She is not insipid. She has two sides to her: what she deems the wild or jungle inside herself and the approachable, welcoming aspect on the outside. She distinguishes that the past is what completed her, completed her wisdom, and allowed her to become more appreciative of things. And that being colored does not always designate someone racially but the colors that make up life in the soul.
For her, experiences were the colors that painted an individual. And although her experiences as a black female were what made her feel different from her white counterparts, she learned to overcome and deal with these differences through understanding the meaning behind being black and further being who she is. Many times writers like Hurston deal with obstacles or issues in life by flipping over or viewing at it from a different angle, a different lens. She saw how people may have viewed her, and then she saw how she viewed herself.
"BUT I AM NOT tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all but about it" (1).
She fought the perceived baggage that came from being colored and decided to paint her own picture from her own perspective. In doing so she liberated her feelings, her image, and her experiences from that of being a colored girl to being an individual. She grew and blossomed from learning that she was different instead of letting it bring her down like so many others around her did. In the beginning of the essay she mentioned how colored people acted around her: "The colored people gave no dimes. They deplored any joyful tendencies in me, but I was their Zora nevertheless" (1).
It's similar to how Rodriguez reacted in his experiences of being different. Like Hurston, Rodriguez tried to turn a perceptively negative situation or negative memories into forms of growth and wisdom. The experiences in their essays shaped them to be the wonderful writers they are seen as today. Rodriguez (which will be discussed later) showed it (discovery of differences) through language and Hurston showed it through music.
With the use of the instance of the jazz music, Hurston demonstrates that being colored is not always a skin pigment incidence but the numerous colors inside a person's soul. With the illustration of the...
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