¶ … Failure of Family: The Irony of the Vicar of Wakefield
Tolstoy states that every happy family is the same (Tolstoy 1). He says this because happiness is the effect of a life well lived and not of any other cause, which is also the philosophy of Plato (Plato 47). Unhappy families, however, are unhappy mainly because they have failed to live well, or virtuously. That is the case of the Primrose family in The Vicar of Wakefield: the family undergoes terrible misfortunes mainly because it fails to live for the good or to understand its own place in the world. The primary responsibility for the misfortune falls on the parents who fail to recognize their own faults and do not raise their children correctly. The parents also fail to realize who they are in social terms and thus deceive themselves as to their actual social value. This paper will show how the failure of family in Goldsmith's The Vicar of Wakefield is what causes the misfortune to happen in the novel and how it is only through rescue outside the family that happiness and order are restored.
A good family is one that is humble and virtuous and does not simply talk about how good it is to be humble and virtuous as Dr. Primrose does at the beginning of the novel (Goldsmith 1). A real family interacts with one another, is patient with one another, suffers wrongdoings, and does not go around judging others. It does not promote arrogance, but faithfully adheres to lessons passed down to it from generation to generation (Rollins). Yet the Primrose family hardly interacts except to lecture one another. It does not patiently accept wrongs. It is judgmental. And it is not very bright. It is disconnected with the past and its only focus is on the immediate incidents within the immediate family's own history -- as related by Dr. Primrose. The fact that the father of the family does not ever really raise his children (his son he sends off to school and his daughters are empty-headed) shows that he does not fulfill his duty as a father. He thinks that he is a good man just because he marries and has children, which he says is what an "honest man" should do (Goldsmith 1). But it can be seen that Dr. Primrose views himself as an "honest man" first and then looks at his actions to support his assumption. Instead, he should look at his actions to see whether he is an honest man. He is backwards and unreliable as a narrator (Nunning 236).
To some extent, Dr. Primrose is like Mr. Collins in Jane Austen's Pride and Prejudice. They both might mean well but their actions show them to be ridiculous to anyone with a grasp of good sense. As Zomchick states, Dr. Primrose cannot be the leader he should be "in his own family without transgressing the text's sentimental presuppositions and destroying the harmonious domestic idyll that the narrative struggles to maintain" (Zomchick 169). In this sense, the whole family dynamic is set up around pretensions, self-deception and sentimentality. And it all stems from Dr. Primrose who is a naive individual when it comes to what the real world is all about.
So while a good family is one in which everyone understands his role and does his duty, the Primrose family fails to comprehend the basic nature of family. Family gives more than it takes (Rollins), but the Primrose family is all about taking honor for itself that it is not due. For example, Dr. Primrose calls himself honest without giving any evidence for this claim. His daughter calls herself well-trained in converting "free thinkers" yet the evidence shown suggests just the opposite (Goldsmith 21). And the mother and father hardly have any real interaction with their children. A good mother, for instance, has a strong relationship with her daughters and loves them unconditionally (Rollins), but this is not the...
Adams, Primrose and Yorick: A Comparison of 18th Century Church of England Clergymen One of the clearest features shared by Fielding's Adams in Joseph Andrews, Goldsmith's Primrose in The Vicar of Wakefield, and Sterne's Yorick in A Sentimental Journey through France and Italy is relentlessness that the characters demonstrate, as though by sheer force of will they may manage affairs to a happy conclusion. In spite of their sometimes obtuse qualities,
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