¶ … Irony
In many ways, Kate Chopin's short story, "The Story of an Hour," is a case study in the use of the ironic. The exact opposite of what the reader expects to happen takes place in a number of different occasions in this tale -- from Mrs. Mallard's reaction to the news of her husband's death, to her reaction to the sight of him alive. The irony imbued within this story, as well as the poetic nature of Chopin's prose -- highlighted by her inimitable diction and the perspective she offers regarding the repression of women -- make this story perfect to interpret using the reader response approach to analysis. This particular lens denotes that Chopin's employment of irony actually reinforces the notion that for women, liberation is the absence of the domineering presence of a man and, conversely, this presence is akin to represion.
One of the facets that is most attractive about "The Story of an Hour" is its climactic ending which is heavily steeped in irony. Mrs. Mallard has received news that her longtime husband has died. At the end of the story, however, after Mrs. Mallard has given herself over to the idea of living without her husband's repressive nature, he returns home and the shock of seeing him kills the poor woman. The irony of this fact is underscored by the following quotation that closes...
Hour Charlotte Perkins Gilman and Kate Chopin wrote their two separate short stories, "The Yellow Wallpaper" and "The Story of an Hour," within two years of each other in the 1890s. Because both of them were dealing with a similar theme, the control of women, there are a number of similarities in their plot, symbolism, characters, and other similar aspects of literature. In the late 1800s, women had few choices in
This occurrence adds symbolism to the ending by providing us with reassurance of the story's theme that despite any precaution taken, death is the one thing that cannot be planned for. 2.) Symbolism is highly present in Eudora Welty's "A Worn Path." It is this strong symbolism that defines what "A Worn Path" grew to represent. This story may be interpreted in many ways, but in the end, it all comes
This sentence, although it talks about bowels, is really describing the mother's love of the baby. This story is written like a detective story. It is very difficult to determine which woman is telling the truth and to determine if King Solomon is actually a bad person or a good person. It does not give the names of the women. They are simple referred to as one woman and the
Mrs. Mallard's husband could have thought he was doing her a great kind kindness by "bending" her will to his. This quotation demonstrates the fact that even if Brent Mallard was on his best behavior, he still had a negative, oppressive effect upon his wife. With little legal recourse, Chopin is alluding to the fact that for many women, death -- of either the husband or the repressed woman
Fictional Elements in Selected Works from Kate Chopin and Anton Chekhov In both of Kate Chopin's works, "The Story of an Hour" and "Desiree's Baby," the most important element of fiction which the author invokes is plot and conflict, for the simple fact that this element is the most effective way of imparting the powerful irony which grips both of these tales. "The Story of an Hour" in particular is
Awakening, which might have been more aptly titled, The Sexual Awakening shocked the delicate and rigid sensibilities of Kate Chopin's contemporaries of 1899, although many of those contemporaries were slowly experiencing awakenings of their own. In telling the story of a married woman who begins to realize that she is an individual human being, rather than a nonentity made up of female roles assigned by a male-dominated society, Chopin immediately
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