Idyllic, Idolizing, Late Victorian Tears
The poem by the Victorian poet laureate Alfred Lord Tennyson entitled "Tears, idle tears," has the unfortunate status of having its become such a common phrase in modern parlance, that the reader finds him or herself bracing his or her ear for more and more cliches as the poem progresses. In other words, one hears that tears are idle so often, one can easily forget, not only that Tennyson said, "I know not what they mean," but that the poem attempts to express the seriousness of futility of grief, or outward displays of affection by calling tears idle, in that they do no real work in the world. The use of 'idle' in multiple variances of meaning, from impractical and lazy, to idyllic, to idolizing is in fact quite profound and sophisticated, yielding a poem with a compact linguistic and stylistic structure.
It is also important to understand the historical, cultural social world from which the poet wrote. The poem's first allegation that "tears from the depth of some divine despair" do no real work in the world was rather a serious one during the Victorian era. On one hand, the Victorians were in love with the principle of utility. On the other hand, however, there was a simultaneous stress upon the cult of sentiment, as epitomized by the pre-Raphaelitism and aesthetic movement. This stress upon the Victorian cult of sentiment was not simply a literary movement, though. The commonness of sickness to the Victorian middle-class household, wherein deathbed tears were a very common occurrence, and whereby the sickroom was an integrated part of a middle-class home cannot be underestimated (Flanders, 2004)
This is why, when the poet speaks of how tears, "Rise in the heart, and gather to the eyes, / In looking on the happy Autumn-fields, / And thinking of the days that are no more," he would have been understood by his readership as directly referring to death, an occurrence that was commonplace, and not horrible. Yet, although the poem takes death and the tears that death begets quite seriously, as is emphasized...
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