Csh 21, La: Challenges and Innovations in Its Construction
Case Study House 21, LA. Challenges and Innovations in Its Construction
The Case Study House 21 (Bailey House) epitomizes an icon in the Case Study program. It was implemented as a visionary project aimed at re-establishing the modern living that was implemented by John Entenza for arts and architecture magazine. After its completion in 1959, Arts and Architecture appreciated it as one of the immaculate imaginations in the development of the small contemporary house. It is pertinent to mention the development remains a vital global influence for architects. The purpose of this article is to explore the challenges and innovations experienced in building by the time Case Study House 21 was developed. In this case, the paper analyzes the condition of the building industry regarding the materials and technologies available for construction.
As mentioned, the establishment of the above program was envisioned as a response to the imminent building boom. The latter was expected to follow the great depression and World War II. Before Case Study House 21, there were few and high-cost construction materials. For this reason, Entenza requested the involved architects to utilize donated materials from the industry and manufacturers to develop cheap and modern housing prototypes. Before the implementation of the modular building techniques, the construction industry was faced with enormous challenges about design innovation. Among these barriers and constraints included manufacturing costs and varying dimensional requirements that hindered the transportation process (Koenig, 2000). By the time the prototype was constructed the biggest challenge was to develop a way of implementing steel that was standardized enough to be economical. However, architects identified that the feature had to go together with the desired quality and finish. It is essential to mention that various individual designs were established. However, they represented remarkable errors that posed challenges. For these prototypes, the primary challenge was the difficulty of duplication. It was asserted that each prototype house had to be easily duplicable. The notion meant that it was not supposed to be an individual performance. Additionally, the development of the program was faced with the challenge to affordability. The development of the ideal prototype was expected to have a practical assistance to an average American looking for a home he or she can afford to live (Dhir, et al., 2002).
The inflexibility of the steel framing enhanced disproportionate lateral stability at different points of the houses. Sandwiched steel decking walls were some of the techniques implemented in the designing process. These were pertinent because they facilitated insulation, implementation of pipes and wiring. Moreover, the architects pierced the roof over the utility core and bathroom. The action was essential because it enhanced the penetration of the core of the house with exterior components such as light, water, and plants. The step was essential because it provided a buffer between the living and sleeping spaces beside enhancing the natural feeling of the house. However, it is eminent to mention that the project experienced a setback. In this case, the public did not embrace the steel framing material (Verge, 1993). Additionally, the public experienced economic pressures that facilitated residential construction in a different way. The aim was to accommodate the merchant builders that work to deskill constructing tradesman and architects. Although they assumed that factory manufactured materials could be more economical than the wood framing, this was not the case. These are some notions that facilitated both social and economic obstacles in the building industry. The CSH21 incorporated the process of painting both walls and ceiling white. The architects also maintained the factory-applied charcoal coating on the steel. Essentially, the moves were imminent because they enabled the developers to establish a visual emphasis on the structural frame (Koenig, 2000).
The CSH21's ambiance of the finished house is defined by water that surrounds it like a shield. The introduction of the design introduced a new concept of water as a structural and landscape element. The aim of the design was to link the house to the landscape instead of separating it. The water aimed at reflecting and amplifying the clean lines of the completed structure. In fact, it contributed to the beauty and the serenity of the environment. As a result, the whole process implemented water as an integral designing material in the construction process. For this reason, the water provided a mirror-like quality that accommodated the changing moods of the clients. It is essential to identify that the architectural design used light as a pertinent natural...
He also asserts that government participation in the arts beyond its role as a consumer can pose significant hindrances to the artistic processes. He claims that politics tends to "seek stability, compromise, and consensus," and as a result avoids supporting art that may "offend majority opinion or go over its head" (38). The market, on the other hand, has "liberated artists…from the potential tyranny of mainstream market taste" (23). Is
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