Givenchy Count Hubert James Marcel Taffin de Givenchy was born in France in 1927. At the age of 25, he founded his own fashion house, The House of Givenchy. After becoming interested in the world of fashion following an excursion to the 1937 World's Fair in Paris, he took up studying at the Ecole des Beaux Arts in Paris. In 1945 and 1946, he was allowed to design for the likes of Jacques Faith and Lucien Lelong. For four years, starting in 1947, Givenchy worked for avant-garde fashion designer Elsa Schiaparelli (Givenchy). He would become famous in the 1950s for creating clean and simple silhouettes that would add to a woman's femininity. It is said that Givenchy was the man who invented separates for sale, which were usually only used for fittings...
Givenchy became renowned for dressing classy women like Audrey Hepburn and Jackie Kennedy.
In 1968, with the help of his long-time friend Barry Schwartz, Klein took the leap and fulfilled his entrepreneurial dream ("Calvin Klein"). With his own company, Klein was able to pursue his vision of what fashion could be. At first, the company designed women's coats, but it soon branched out into other areas. Klein applied the simple, clean lines of his coats to women's sportswear, producing practical yet fashionable clothes.
Fashion in Relation to Commodity Culture of 1980s Fashion Fashion during 1980s seems to be glitzy and bold. Fashion trends were no longer dictated by teenagers; as the baby boom generation continued to become richer and older, they demanded more glamorous, upmarket fashion. Contrary to what inspired 1970s fashion, fashion of 1980s did not allow these non-materialist "hippie" values. Some of the nations such as Australia during the decade focused more on
Later on, throughout the 1930s, fashion photographs were principally created in studios, to take advantage of being able to carefully control lighting, composition and pose (Grossman 1). However, outdoor photo shoots were not unheard of. It has been noted that these outdoor photographs "carried an allusion of authenticity and spontaneity that made the fashionable clothes appear more vibrant than the sculptural effects of studio photographs could achieve" (Grossman 1). With
The four illustrations from the earliest decades of the twentieth century illustrate the importance of fashion in the formation of identity just as much as Twiggy's outfit does, and in fact are possibly even more telling given their distance from current styles. Regardless of what people of the time though regarding the sexuality of certain of these gown, all of them give the female figure an incredibly sculpted look, whether
Bruce Wolfe (1941- ). This native Californian was born in Santa Monica, and began his career by later moving to the San Francisco Bay area. Wolfe moved to attend San Jose State University where he studied art, and later moved on to study art at the Art Institute of San Francisco also in Northern California. There he studied the art of portraiture under Bettina Steinke, as well as sculpting under the
During the decade between 1960-1970, Hays' work was all over representations of popular American culture. He had also produced amazing illustrations of great Rock, Jazz, and Blues singers, which had a dark twist according to his stylistic expression (see Image B). Hays began teaching in the late 1950s at the School of Visual Arts in New York City. Towards the end of the 1970s he relocated to California where
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