Looking at one of Kulkarni's pieces, a Peasant in the City, oil on canvas done sometime in the 1960s, we see a trend in modern Indian art in which the protagonist is featured as a part of an abstract background. Literally, the piece is a snapshot of a man and a beast, at night in a large urban area. The man is downcast, downtrodden, with no discernible ethnicity or age. He is a mixture of gray, and his elongated facial features suggest that he is, or has been, weeping. The single animal by his side could be a dog, a cow, or a representation of simply an "animal." The animal's front leg is extended, ostensibly onto the fence in which the man is leaning. The houses are abstract, made up of geometric lines and some color, designed it seems to indicate that they are lit. The moon is full, but there is a strange shadow appearing on the inside of the mood, one in which we are not really certain if a large tree or mountain is blocking our view, or if some figure is walking towards us. The blues in the sky, swirling outward, are somewhat reminiscent of Van Gough's Starry Night. The city is somewhat of a study in cubism, broken angles fading in and out of focus.
One of the striking interpretive issues of the piece is actually not the focal point, but the background. The way the city is portrayed seems to be a bit of a commentary on modern urbanism -- crowded tenements hastily put together, the individuality completely absent, and the lack of much color or decoration suggesting abject poverty, a coldness and futility. This is certainly enhanced when we move to the man and his companion. In a sense, a Peasant in the City is defined by its title, and while we know it was painted by an Indian, it could be any peasant in any city. However, perhaps Kulkarni was also reacting...
In Jamaica, like many other physicians abroad, Sloane collected specimen; later, he acquired the collections of others. Among the botanical material in his collection were exotic plants and bird skins, "unique albums of Durer's prints and drawings" "a vast library of manuscripts and printed books" (Geographical 2003 26+,the second two items of which probably contained abundant botanical engravings. Not all of the items Sloane collected survived. One that id, however, was
Democracy, Multiple Intelligence, Art Project Site and Participants The project that this research is based on took place at Pantera Elementary School in Diamond Bar, California. The school population comprises approximately 200 students and twelve teachers. The ethnic make-up of Pantera is as follows: 36.8% Asian, 19.8% Hispanic, 35.9% White, 2.9% Filipino,.5% Pacific Islander and.4% American Indian/Alaskan. Neighborhoods within Pantera's boundaries are middle- and upper-middle class, with some new, upscale housing. Pantera
East/West An Analysis of Eastern Influence in Western Art The American/English poet T.S. Eliot references the Upanishad in his most famous poem "The Wasteland," a work that essentially chronicles the break-up of Western civilization and looks to Eastern philosophy for a kind of crutch in the wake of the abandonment of Western philosophy. Since then, Westerners, whether in literature or in film, have continued to look to the East for inspiration and
The reflections of death in Death on the Pale Horse also remind this observer to take time to consider the certainty that human life on earth is limited. In an ironic way, this painting also seems to shout that it is imperative to make a point to make the most of each moment. Present Treasures As art observers are expected to experience smooth or stormy energetic passions in pathetic paintings as the
" In other words to understand any writer's utopian vision, one must compare and contrast that particular vision to what utopian authors in the classic traditions have already put forward. DEFINITIONS of UTOPIA: J.H. "JACK" HEXTER: Historian, professor and humorist Jack Hexter wrote that "Utopia implies that the nature of man is such that to rely on individual conscience to supply the deficiencies of municipal law is to embark on the bottom-less
Works Cited Baumgarten, Linda. (2002). What Clothes Reveal: The Language of Clothing in Colonial and Federal America: The Colonial Williamsburg Collection. New Haven, CT: Yale University Press. Bilhartz, Terry D., and Elliott, Alan C. (2007). Currents in American History: A Brief History of the United States, Volume 1. Armonk, NY: M.E. Sharpe. Crunden, Robert Morse. (1996). A Brief History of American Culture. Armonk, NY: M.E. Sharpe. Fisher, John Hurt. (2001). "British and American, Continuity and Divergence"
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