¶ … incongruous to try to compare the artists William Shakespeare and Bob Marley. These two men, separated by centuries and embodying two very different forms of art, both make up part of the history of popular culture. One man is considered the premiere playwright in the history of the English language, a man whose name is synonymous with high culture. The other man is known for his success in a musical genre and a culture that uses a different meaning for the word high. What could these men possible have in common one might ask? Examining the history and writings of both Renaissance writer William Shakespeare and reggae musician Bob Marley it becomes evident that they both use emotional appeals and heavy symbolism to prove points about the human condition and to promote understanding between people from different stations of life, all of which are used to persuade others that the morality of their literature is the correct one and ought to be adopted by the general population.
William Shakespeare was not as respected in his own time as he is in the modern era. His plays were designed to appeal to the lowest members of society. A Shakespearean play would be the equivalent of a blockbuster movie in the modern vernacular. His upbringing was not anything special. Shakespeare was the son of a glove maker (Laroque, page 13). It was initially believed by historians that William's father, John Shakespeare was wealthy or at least relatively well-off. In fact, John Shakespeare had been a "gentleman" until debt forced him into exile from the township. William Shakespeare grew up in a small village called Stratford-Upon-Avon with this scandalous beginning over his head. He married but did not less this inconvenience him either in his romances or in his artistic endeavors. It would not be long before William Shakespeare left his wife Anne Hathaway, who was several years older than Shakespeare, and his children in Stratford-Upon-Avon for the gritty streets of Renaissance-era London. "Overpopulated and filthy, London was a city of seething activity, spectacle, and theater" (Laroque, page 41). Shakespeare, like Bob Marley after him, was very much a product of the time that he was writing.
Ethnically, Bob Marley was unique for the time and place in which he lived. Born of a black Jamaican mother and white father, he was a physical embodiment of the effects of colonialism (Paprocki 2006,-page 10). Like Shakespeare, he grew up in a relatively poor area with little income for his family and an absent father figure. His father was a Marine officer who came to Jamaica to work as an overseer of a plantation. Marley's father died when he was only ten years old. His biracial heritage would lead to Marley experiencing prejudice from both sides of the ethnic landscape. Marley once said, "I don't have prejudice against himself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't dip on nobody's side, the one who create me and cause me to come from black and white" (Webley 2008). The conflict that he grew up with would shape Marley's musical as well as philosophical work later in life.
Very little factual information is known about William Shakespeare's life. That is to say, there is little information that can be empirically verified with data. What is known is that Shakespeare was married at 18 and deserted his family at 21 for the world of theater. According to historian Truman J. Backus (1897) in his book The Outlines of Literature: English and American:
London was the resort for such an adventurer as he in search of fortune; and the theatrical profession, with its ready reward for the successful actor, was the most advantageous calling for him. When Shakespeare arrived in London, he naturally entered the service of one of the dramatic companies. Like other young men of that time, he made himself useful both as an actor and as a re-writer of plays. His early professional career was marked by industry and success, and by the prudence with which he accumulated wealth. By adapting old plays to the demands of his theater he acquired masterly knowledge of stage effect, and discovered the genius which enabled him to write the greatest dramas in the literature of the world (Backus 1897).
The theatrical profession was one designed for people who wanted to make money quickly and who were willing to work at their craft. Theater, although not the most respectable...
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