WW2 and Gender Relations in Germany
What was the impact of World War Two on gender relations in Germany? To do so we must examine three substantial areas of importance: ideology, trauma, and egalitarianism. The question of ideology is, of course, most important when considering the Third Reich itself -- which had specific ideas about gender roles -- and ultimately the question of post-war de-Nazification. The subject of trauma is arguably unavoidable in considering gender relations at the war's immediate conclusion and afterward, when the subject of mass rape of the German female population must be considered in light of what it says about gender relations more generally. And the issue of egalitarianism may help to explain why, nearly seventy years after the conclusion of World War Two, the most powerful person in Germany (and arguably in Europe) is currently a woman, Angela Merkel. A focus on these three specific areas may help to shed light on how, precisely, Germany has made the transition from the gender ideas enforced by the Nazis to the gender ideas that have resulted in a female Chancellor in 2014.
Gender played a central role in Nazi ideology. Although we are accustomed to thinking of Nazi ideology largely in terms of anti-Semitism, for example, it is crucial to note that the Nazi rhetoric was actually defined in terms of gender. The Nazis who were to a large degree reacting to the increased demand for female suffrage and emancipation in the period before the First World War. Jonathan Steinberg, for example, quotes the early Nazi leader and politician Alfred Rosenberg, who drew explicit connection between female emancipation and German cultural decline: Rosenberg claimed that "the emancipation of women must lead, again by way of the racial dialectic, to the feminization of men: 'mincing men in patent-leather shoes with purple socks, festooned with bracelets, with delicate rings on their fingers, eyes shaded with blue, and red nostrils. Those are the types which in the future women's state [Frauenstadt] must become the general rule'." (Steinberg 108-9). In other words, there was an explicit element in the Nazi imagination which opposed the implementation of egalitarian gender politics and progressive attitudes toward women: in Rosenberg's argument here, letting women vote will result in an unmasculine, even homosexual, male population. Although Steinberg notes that "what Hitler made of Rosenberg is hard to assess" because "they were never close," we can turn to other primary sources to see hints of the same sort of gender-basis for Nazi ideology at the highest levels (Steinberg 109). A useful example is provided by Leni Riefenstahl. Although a woman, Riefenstahl was a film director (an occupation in 2014 which is still decried for being largely a boys' club) and indeed occupied a central position in Nazi ideology as the most aesthetically distinguished propagandist with pro-Nazi films like Triumph of the Will. In her memoirs, Riefenstahl recounts a curious encounter with Josef Goebbels, drawn from her diary for 6 November 1932:
I saw Dr. Goebbels standing out in the corridor. He was as surprised as I and asked whether he could come in and sit down for a moment. He had an appointment with Hitler in Munich and he told me about his personal problems and the power struggles in the Party. When he noticed how little I knew about all those matters, he changed the topic and shifted, oddly enough, to the theme of homosexuality. He said Hitler had an extreme dislike of homosexual men; but he, Goebbels, was more tolerant, and did not condemn all equally. "In my opinion," I said, "the characteristics of both sexes are present in every human being -- perhaps especially so in artists -- but that has absolutely nothing to do with a defective or inferior character." Surprisingly, Goebbels agreed. (Riefenstahl 126-7)
Although 1932 is very early in Nazi Germany -- and early in Riefenstahl's career, since she had only just been singled out by Hitler as the ideal of German womanhood for the film she was promoting (The Blue Light) at the time of this meeting with Goebbels, and had not yet begun making films for Hitler -- we can see the same threads intertwining in the conversation. Riefenstahl herself finds Goebbels' inquiries about homosexuality to be an odd change of topic here, but when considered in light of Alfred Rosenberg's ranting, we can see that all the issues tend to intertwine: the issue of emancipated women (Riefenstahl was nothing if not independent) combined with traditional gender roles (Hitler admired Riefenstahl's...
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