Idealism and Naturalism
Art in ancient Greece approached beauty through the concepts of naturalism, idealism, and a combination of the two. In the case of the diskobolos (also spelled discobolos), it is viewed as naturalistic because it accurately represents the way a human male body looks. The discus in hand indicates that diskobolos does human things, and the way in which his muscles are poised - realistically -- adds to the naturalistic theme. An argument can also be made that the sculpture is idealistic because it has a pose that is so perfect it idealizes the act of throwing a discus (and because the man's body is idealized). This paper points to the literature that identifies diskobolos as naturalism and idealism -- and a blend of both.
Diskobolos -- The Literature
It is apparent that Myron has caught the discus thrower in mid-swing; the thrower has gone as far back as he can and is poised (given the position of his feet and his left arm) to follow through and release the discus for a (hoped for) long throw. Part of the argument vis-a-vis a naturalist response to diskobolos is simply because of the precise moment that Myron has chosen...
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