Verified Document

Iconology Iconography Of Santa Maria Del Fiore Or Church Of San Lorenzo By Filippo Brunelleschi Term Paper

Brunelleschi -- San Lorenzo filippo brunelleschi & THE CHURCH OF SAN LORENZO

As one of the greatest architects of the first half of the 15th century during the Renaissance Era, Filippo Brunelleschi (1377-1446) was trained as a goldsmith but his ability as a sculptor was well-known during the Renaissance. Although he turned to architecture out of the disappointment linked to losing the commission for the Baptistry of Florence, his interest in this artform slowly increased which was spurred by several trips to Rome (circa 1402) where "he became enthralled by the Roman ruins which were to serve as his most important architectural influence" (Frey 156). In fact, the Roman ruins, along with some earlier architectural forms such as the Gothic, inspired him to develop the revolutionary system of geometric, linear perspective that was so consciously adopted by many of his Renaissance contemporaries.

Brunelleschi's knowledge of Roman construction principles, combined with is analytical and highly inventive...

With exceptional ingenuity, Brunelleschi discarded traditional building methods and created new ones while inventing machinery that was needed for the task.
One of the most important architectural designs linked to Brunelleschi is the Sacristy of San Lorenzo which Brunelleschi began to construct during the greatest creative period of his life. In regard to the iconography of this church, started in 1418, Brunelleschi wished for it to reflect the majesty of the church and the patronage of the great De Medici family, the most prosperous and generous patrons of the arts in Renaissance Florence. This church, according to Eugenio Battisti, "exemplifies the mathematical, modular proportioning system as well as the synthesis of Classical forms with innovations devised by Brunelleschi" (231). As a religious icon,…

Sources used in this document:
BIBLIOGRAPHY

Battisti, Eugenio. Brunelleschi: The Complete Works. UK: Thames & Hudson, 1981.

Fanelli, Giovanni. Brunelleschi. New York: Scala Books, 1980.

Frey, Dagobert. Architecture of the Renaissance: From Brunelleschi to Michelangelo. Netherlands: The Hague, 1982.

Hyman, Isabel. Brunelleschi in Perspective. New York: Prentice-Hall, 1974.
Cite this Document:
Copy Bibliography Citation

Related Documents

Gothic Architecture and Effect on
Words: 660 Length: 2 Document Type: Seminar Paper

However, there is also a more prosaic explanation of the contrasting styles manifest in Gothic cathedrals: because they took so long to complete, the construction of the cathedrals was often interrupted by warfare, and thus they were constructed during different social periods and exhibited the influence of different builders, rulers, and forms of construction ("Medieval gothic principles," Medieval Spell, 2009). Furthermore, even when there is symmetry and surface order

Gothic Architecture in the Romantic
Words: 803 Length: 3 Document Type: Term Paper

. from passion to insanity" ('the Eighteenth Century," Internet). These "sublime" qualities are best expressed in Horace Walpole's magnificent Strawberry Hill residence in Twickenham, built between 1749 and 1777. As compared to Blenheim Palace, this structure is pure "Gothick" with its turrets, towers, battlements, galleries and corridors. In fact, Horace Walpole is credited with creating the Gothic style in English literature with his novel the Castle of Otranto, published in 1764. Of

Maori Response to Gothic Architecture
Words: 1336 Length: 5 Document Type: Book Report

By introducing abstract sequences, these people practically made it difficult and almost impossible for Christian leaders to consider that they needed to get involved in altering these concepts. The coming of George Augustus Selwyn in New Zealand had a strong effect on attitudes that the church would express with regard to the presence of Maori elements in churches. A power struggle within Christianity between Selwyn and Evangelical missionaries influenced natives

Romanesque and Gothic Architecture There Were a
Words: 1643 Length: 5 Document Type: Essay

Romanesque and Gothic Architecture There were a number of changes that happened to Romanesque architecture to make it uniquely Gothic. Romanesque architecture was principally that for churches, whereas Gothic architecture manifested itself in cathedrals. The difference between these two is not mere diction; Romanesque churches had thicker walls and were darker and on the whole smaller than Gothic cathedrals, which encompassed a number of structural innovations to make them extremely vertical,

Gothic Cathedrals and Light From the End
Words: 1670 Length: 4 Document Type: Essay

Gothic Cathedrals and Light From the end of the 12th century for at least two centuries architecture underwent a revolution known as Gothic. Much like classical architecture, changes in building paralleled changes in culture. Gothic works tended to be tall, inspiring, and meant to withstand the ravages of time. Structural improvements were massive, and even though this era only lasted 200 years, it would have a profound effect on any building

Gothic the Flamboyant Gothic Is
Words: 616 Length: 2 Document Type: Essay

This type of fluidization announces the Renaissance and is probably an expression of the new opening that the society goes through as it comes out of the Middle Ages. A greater creative expression in literature or painting, for example, had to be matched by a similar trend in architecture. Another interesting comparison with the previous Gothic styles is the fact that, in the past, the Gothic style was used almost

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now