Iago in Othello
Othello is one of the most important and popular Shakespeare tragedies where the playwright highlights the maliciousness of human nature and the way it can destroy some naive souls. Iago is the villain in this play who is presented as an epitome of deceit and malice. However this has been done while keeping the character wrapped in thick clouds of honesty and truthfulness. This is a strange paradox as the on the surface we are repeatedly told that Iago is an honest man and he also considers himself to be so, while beneath all this fake honesty, he is always trying to stab someone in the back.
Because of his crafty nature, this character can also be considered a true Machiavellian figure. Close reading of Machiavelli's work reveals certain link between Iago and Machiavellian prince. Yet despite all his slyness, the character repeatedly claims to be an honest person (Cassal, 2003). This facade of honesty allows him to perform his essential tasks of manipulation and revenge.
Iago is a good example of how selfishness can sometimes lead to success and how one must use his evil powers of manipulation and ruthlessness to destroy the life of their enemies. Iago is thus a true Machiavellian figure- who does everything that Machiavelli thought a ruler should do to overcome his enemies and achieve his goals. A Machiavellian figure is defined in Webster's Third International Dictionary as "1. Of or relating to Machiavelli or his political theory (as the doctrine that any means however lawless or unscrupulous may be justifiably employed by a ruler in order to establish and maintain a strong central government. 2: resembling or suggesting the principles of conduct laid down by Machiavelli: characterized by political cunning, duplicity, or bad faith." We notice that Iago did possess all these characteristics. Many critics believe that Iago was created in the light of Machiavelli's model of a ruler. As Auden writes, "To his first audience and even, maybe, to his creator, Iago appeared to be just another Machiavellian villain who might exist in real life but with whom one would never dream of identifying oneself."
Iago possesses the genius of Machiavelli's prince. He is ruthless and cares about no one but his own goals and ambitions. Secondly just like the prince, he is least concerned about morality or ethical aspects of his actions. He simply believes in winning by hook or by crook and that is exactly what Machiavelli wanted his prince to do. Iago is aware of the evilness of his intentions as he says, "To counsel Cassio to this parallel course,/Directly to his good? Divinity of hell!/When devils will the blackest sins put on,/They do suggest at first with heavenly shows,/As I do now:" (Act 2, Scene 3)
For some odd reason, he hates Othello who thinks of him as an honest friend and his hatred for the protagonist results in an absolute tragedy where numerous lives are destroyed and reputations tarnished. For those who have read the play, it is difficult to understand why Iago would be considered an honest person when he was certainly anything but this. However as negative as his character was, Iago must have some honest streak in his nature or else no one would have believed him and the whole ploy against Othello would have failed.
For the success of this conspiracy against Othello, it was important for Iago to be seen as a man of honor and honesty. From the very beginning of the play, Iago tries to project himself as just that- a truthful person and a sincere friend of Othello. This was done primarily to win the trust of the hero because it would later help him destroy his life. While Iago is busy projecting a positive image of himself, at the same time, he is weaving a plot against him and is well aware of Othello's weaknesses.
The Moor is of a free and open nature,
That thinks men honest that but seem to be so,
And will as tenderly be led by the nose
As asses are" (Act 1. Scene 3. Line 399-402).
Presenting himself as an honest man is also part of Iago's plan and for this reason, he does everything in his power to appear a good sincere friend of Othello. From the beginning of the play, Othello naively trusts Iago and entrusts him with various important responsibilities. He often address him as honest Iago, something that proves that this villain was indeed an honest man in the first half of the play. While his truthfulness is grounded in his malicious intentions, he nonetheless manages to win Othello's...
In the context of Othello, this is not such a reassuring notion because Othello and Iago represent the worst that man can be. The reality of this fact allows us to look upon Othello is disgust and with caution. These two men are known by their first names worldwide not because they are nice but because they are the farthest from it. They are human and they are evil
For example, when the two are discussing Desdemona, Iago says: O, beware, my lord of jealousy! It is the green-eyed monster, which doth mock The meat it feeds on. That cuckold lives in bliss Who certain of his fate loves the wronger, But, O, what damned minutes tells he o'ver, Who dotes yet doubts, suspects, yet fondly loves. (III.iii.166-71) Here we see an example of Iago's cleverness. He warns Othello about jealousy, appearing to be concerned,
Othello loathes the idea of marriage which makes men believe that they have their wives faithful to them forever and also tricks them into believing that their "appetites" are also saved for their husbands alone. The word appetite here refers to sexual urges and need for love. Othello thinks that by betraying his trust, Desdemona has shown that her need for love was not met by Othello alone and
Iago knows that jealousy will cause Othello to become insecure and this will only feed his jealousy. Othello reacts typically, sating: Haply for I am black And have not those soft parts of conversation That chambers have . . . I am abused, my relief Must be to loathe her (III.iii.260-5). Iago has no respect for Othello, his marriage, or Desdemona, for that matter. To be precise, he cares for no one but himself. Another
Othello has used military service to prove he is not a savage to white leaders, but his reliance upon the counsel of military officers and his over-valuing of military decision-making and life makes him descend into savagery. This is true even before Iago has begun to try to manipulate his mind. After marrying Desdemona, Othello's first thoughts are of war: "The tyrant custom, most grave senators,/Hath made the flinty
They will go to far to hire a mercenary like Iago to pursue their goal for them. There are Othellos today as there was a shining one in Shakespeare's fiction or time. Military heroes like him have secret vulnerabilities, which reveal themselves in unguarded or trying moments. As a self-claimed victim of a foreign culture, Othello's cry of discrimination resounds in contemporary society despite his accomplishments. Contentment in life is
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