Waugh's view of terrorism and communism as inherently the same underlines how the CIA is often 'fighting the last war' when it creates its policies, rather than creatively responding to the new geopolitical environment.
This simple elision of all forces against the U.S. As evil can be seen in Waugh's comment: "From Korea to Afghanistan and every conflict in between, I have fought whomever my country ordered me to fight. For fifty years in sixty-four countries, I have sought and destroyed my country's enemies -- whether they be called Communists or terrorists -- wherever they hide" (Waugh xv). He credits his determination to his mother's willingness to 'tan his hide' unless he made perfect marks as a child. Even today, succeed or fail, Waugh wants to hunt down the evil-doers who hate the United States, and there is little moral ambiguity to his quest.
The failure to appreciate, for example, the different factions of Islam and the complex tensions of the Middle East, even the difference between the hatred for the U.S. Of the secular dictator Saddam Hussein for America vs. The religiously-fueled hate of Bin Laden, quickly becomes manifest in Waugh's prose. The blindness that was exhibited by America's leadership regarding Iraq is reflected in a Cold War, bipolar analysis with little applicability to the Middle East. The jackal of the book's title is the terrorist Waugh tracked during the 1990s, Carlos the Jackal in Khartoum, (colloquially called K-town) but other than the Jackal's inhuman dangerousness, there is little understanding as to why the world spawns people like Carlos and who so many people in the Islamic world follow Bin Laden and hate the U.S. This mentality is further reinforced by Waugh's statement when he is training foreign nationals in counter-terrorist strategy: "I will not participate in discussions of a political nature…usually this statement would be enough...
William Carlos Williams comments on the brutal persistence of patriarchy in "The Raper from Passenack." The title immediately conjures the imagery of rape, and the title fuses into the first line of the poem. "The Raper from Passenack" is written in a narrative format, describing a scene in which the titular character is driving home the nameless girl who he just violated. Most of the narrative takes place inside the
William Carlos Williams' "Pastoral" and "Proletarian Portrait" William Carlos Williams' poem "Pastoral" is narrated in an introspective, confessional voice that describes the narrator's attitude toward the streets in which he was raised. There is very little plot in the poem, and it consists mainly of details concerning the street locale. Given the minimal plot that occurs, the details assume great significance. The reader must therefore be cognizant of how the details
Gradually, the viewer's pleasure of being the knowing doctor shifts to the pleasure of socially-sanctioned unwilling penetration: "But the worst of it was that I too had got beyond reason. I could have torn the child apart in my own fury and enjoyed it. It was a pleasure to attack her. My face was burning with it," says the doctor as he grows angry with the girl's intransigence. Mulvey might
Not all humans exhibit the same jealously levels, behaviors, etc.); and, 2. Today, instinct theory has a more biological emphasis for specific motives and not all (like aggression and sex). but, there is still a strong instinct perspective in the study of animals (ethology) (p. 2). Notwithstanding this lack of consensus, there have been much attention directed to the relationship between instinct theory and the various dimensions of the human
Proletarian Portrait" is a poem by William Carlos Williams that presents a brief snapshot of a working class woman, a proletarian. She is bogged down by two stigmas: class and gender. Because the reader has no other cues of the woman's identity, it is also possible that she is not white, either. Being of the non-dominant culture would make the woman an emblem of the underclass, presuming the setting
Force: Symbolic rape in William Carlos William's short story William Carlos William's "The Use of Force" is a strange, uncomfortable short story to read about a seemingly very simple subject. A doctor is trying to force a resistant young girl to open her mouth so he can see if she has diphtheria. The girl, not knowing the doctor is trying to help her, bravely but foolishly resists him and he must
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