Gabriel Garcia Marquez's Chronicle of a Death Foretold and Franz Kafka's The Metamorphosis both place the protagonist in opposition to a prevailing family structure. At the same time, the family structure dictates personal identity, character traits, worldviews, and reactions to events. In Chronicle of a Death Foretold and in The Metamorphosis, personal identities are malleable and yet the changes that occur take place within a confining social structure at which

Particularly the Caribbean. To grow up in such an environment is to have fantastic resources for poetry. Also, in the Caribbean, we are capable of believing anything, because we have the influences of [Indian, pirate, African, and European] cultures, mixed in with Catholicism and our own local beliefs. I think that gives us an open-mindedness to look beyond apparent reality (Sidelights, 2006). Similarly, Love in the Time of Cholera, set

The use of Magical Realism by Marquez is a technique for writing that does not distinguish between what is real and what is fantastic and a "value literary label that has been applied to many writers." (Sickles, nd, p.24) it was the desire of Marquez to capture the voice of his grandmother in his writings. Marquez used Magical Realism in the incorporation of mythical elements into realistic fiction and

Gabriel Garcia Marquez and Isabel Allende use unconventional story structures, complex themes, and characterizations to convey the social, political, and cultural realities of Latin America. One Hundred Years of Solitude traces the evolution of one town, through the eyes and soul of its most prominent family. In spite of the radical transformations that transpire over the course of one hundred years in the life of Macondo, Marquez shows that

Love Time Cholera Gabriel Garcia Marquez. You focus detail analysis book Sick Love The principle theme of Gabriel Garcia Marquez' novel, Love in the Time of Cholera, is that love functions as a disease. There are a number of similarities between love and diseases such as cholera -- they each can infect the body, mind, and spirit, they are contagious, and ultimately they can consume people. The author presents numerous instances that

Finally, the entire fabric of the novel indicates how Columbia and Latin America altered through the 19th and early 20th centuries, and how the people changed as well. The families and characters of the story endure, and they represent the Latin American people - devoted to family, spiritual, independent, and proud. They represent the culture that has slowly died, and literally are a step back in time to look at