Art Creation and Analysis
"Love is not love
Which alters when it alteration finds
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shaken"
William Shakespeare, Sonnet 116. Retrieved from http://www.shakespeare-online.com/sonnets/116.html
These lines mean to me that love is something that does not change. It is more than a feeling, because feelings come and go. Sometimes we feel something that we call love intensely and other times not at all. Yet what happens when someone needs us, needs our help, needs some empathy or sympathy from us, or just needs a hand -- some time out of our day? Do we give it? That is what love is to me: it is an exercise of the will -- something that starts in the mind but is made real and manifest in the acting. It is constant, as Shakespeare implies with this poem. It does not turn its back; it is always dependable; it is principled; it is true and never false. If you say you love someone then you have to be willing to accept that person, even if they change and are not as lovely as they first were when you met them....
This is evident from the first as the poet writes, I am inside someone -- who hates me. I look out from his eyes (1-3). This approach allows him to take a jaundiced view of himself and criticize his own shortcomings, as if they were those of someone else. He says he hates himself, meaning more that he hates some of the things he has done and that he may expect
In every stage and period in history, the black American is present, as demonstrated in the line of imagery repeatedly used in the poem, "My soul has grown deep like the rivers." The poem portrays the Negro as the cause rather than effect of human civilization. "The Negro" is a historical narrative of the life of the black American. Evidently, he had been present where human civilization thrived. Thus, human
He saw that there could be no innocence if one could not acquire experience and knowledge later. This is also true of the kind of art Blake executed. Engravings are drawings made up of lines. It is not possible to remove the lines and have any art left, because that is what his style art does: it divides blank space. Without the blank space, there can be no lines.
I thought that the authors made it exceedingly clear in the book that having been deprived of slave labor, the British then turned to an equally disturbing practice of indentured labor. This new abomination of humanity gave an sudden threat to European wages and an enduring threat to colonial white rule (Reynolds). I thought that the book showed the thought-provoking process of how when colonial lawmaking organizations hit back
This first collection of poetry relates of these experiences of dislocation, refuge and identity crisis, as Abinader, one of the reviewers of Handal's work, points out: "Nathalie Handal's new collection of poetry, the Lives of Rain, places us in gritty scenes of exile, occupation, dislocation, refuge, and solitude -- scenes that are often associated with poets of Palestinian background."(Abinader, 256) These themes are obviously common with Palestinian poets due
Europeans call upon Christendom to "applaud their courage and justice" as they persecute the natives for merely defending themselves. This simple, human response of self-defense is seen as evidence of barbarism by the Europeans. Of course, when the natives have accommodated the Europeans and treated them in a friendly fashion, this is likewise seen as a weakness and portrayed as evidence of the people's fitness for servitude. Tom's identification with
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