Verified Document

How Jazz, Rag, And Blues Began Essay

Related Topics:

Jazz Consisted of:• Folk and blues styles

• Emphasis on:

• simple harmony

• rhythm

• and improvisation (based on melody)

• Mostly ensemble playing with all instruments playing together except for solos

• syncopation

The special conditions that gave rise to its development in New Orleans were:

• Brass band marches were popular

• The red-light districts known as "Storyville" had clubs where dance bands played

• French quadrilles, ragtime and blues were popular there

• The Afro-Creole and vaudeville shows were influences there

• Tourists came to New Orleans and that is how the "jazz" style of the area spread

• Many Africa-Americans were hired to perform in brothels and bars: Buddy Bolden, Louis Armstrong and many others

With so many different ethnicities and cultures gathering together in one urban location, people latched onto their community traditions and introduced their folk music trends into American society. Irish, German, Italian, and Afro-American styles of music were all mixed into these areas. Much of the music also grew out of the uniquely American-Protestant movement -- the "spirituals" that served as basis for many movements -- jazz, blues, bluegrass, etc. French-African music of the Louisiana Creoles was heard by tourists in New Orleans, who took it back home to their own cities; the African-American migration of the same time was also responsible for spreading this music.

3

The TPA (Tin Pan Alley) music industry originally referred to West 28th Street in Manhattan in 1885 when music publishers established their shop there. The name comes from the sound the pianos made -- a percussive sound like tin pans banging together. Eventually, the whole of New York City music publishing (including publishers and songwriters who produced popular music that was heard around the country) was characterized under the TPA umbrella. Some of the music published was known as "Race Music" -- code for music by blacks. Vaudeville stage actors used Tin Pan Alley music for their skits. TPA also published...

Racial codes were still followed by the publishers, so many songs composed by blacks were published as though written by whites.
4

The blues had root in the same traditions as folk while merging with the Southern American spirituals genre. In the post-Civil War period, blacks were moving around the country, leaving the South because of Jim Crow and heading to urban areas. Their travels and experiences are reflected in blues, which emphasizes the isolated and individualistic experience of the African-American. Their songs were about their lives, the poverty and trials they dealt with, what they suffered, what they did, how they took joy, how they viewed relationships, how the spirit moved them. It was music that examined the black identity at a time when the question of black identity was becoming more and more important in a nation led by WASPs (White Anglo Saxon Protestants). It really took off, however, with the vaudeville stage acts, which used the stage to sing the emotion-laden solo pieces that turned Rainey and Smith into stars. It was still coined "race music" by the music industry. The stage and the popularization of "race music" with the rise of jazz during this time made blues a hit in the clubs as well.

5

Ragtime emerged in the 1890s from southern and Midwestern regions in America and spread into Europe. Ragtime was not strictly defined and, like jazz, was understood differently by different people. Essentially it consisted of music composed for piano with a syncopated treble over a steady, rhythmic base. It was different from cakewalks and "coon songs" in that these latter were meant for dancing to but ragtime was meant for listening to. The term, however, began to be applied to more than just the style of music and was used to define a way of life and an era. The Chicago World's Far in 1893 introduced the world to rag in which a "coon song" was used to make fun of the emerging black identity -- the song was "All Coons Look Alike to Me." Rag Time literally referred to the rags worn by the vaudeville actors who mocked black people, as these actors would perform these…

Cite this Document:
Copy Bibliography Citation

Related Documents

Blacks in Blues Music
Words: 2189 Length: 8 Document Type: Term Paper

Blacks in Blues Music Biographer Lawrence Jackson wrote that author Ralph Ellison was exposed to the blues and classical music from an early age, eventually playing the trumpet and pursuing a degree in music at Tuskegee (McLaren Pp). When he moved to New York to pursue his writing career, Ellison was exposed to the musical developments in jazz and often attended the Apollo Theater, the Savoy Ballroom, and Cafe Society Downtown,

Jazz Musician Sidney Bechet
Words: 4585 Length: 17 Document Type: Term Paper

Pioneering Jazz Musician, Sidney Bechet About Sidney Bechet Sidney Bechet was a pioneer jazz musician who changed the music of his time into a unique art form. Considered to be one of the greatest jazz musicians of New Orleans, Bechet was an innovator on both the clarinet and saxophone. His music changed jazz music forever and inspired countless musicians of all types. Bechet was born in New Orleans in May 1897. He was

Similarities and Differences Between Ragtime and Blues
Words: 1436 Length: 4 Document Type: Essay

Blues and Ragtime: Paving the Way for Jazz Blues and ragtime helped to pave the way for jazz, one of America's truly unique music genres. Originating in the South, these genres were inspired by the African backgrounds of slaves coupled with the oppression that freed men and women faced after their emancipation. New Orleans became a musical hotbed during the jazz era. It was also during the development and popularization of

How Jazz Came From Various Elements
Words: 917 Length: 3 Document Type: Essay

Earliest Origins of Jazz Jazz has several origins and influences that make it what it is today. The earliest origins of jazz can be traced back to the Congo where the slave trade was based. Here the Congo natives had a tradition of music that consisted of a single line of melody and had a pattern of the call-and-response that is typical of jazz today. The rhythms found in this

History of Music
Words: 3511 Length: 10 Document Type: Research Paper

Cool Jazz A Brief History of Cool Jazz December 6, 2012, would have marked the ninety-second birthday of pianist Dave Brubeck. The nonagenarian was looking forward to performing at the Palace Theater near his home in Waterbury, Connecticut. Sadly, Brubeck died of heart failure just one day shy of the celebratory concert. The concert went on as scheduled, but it was a memorial rather than a birthday party. It is what Brubeck

Jelly Roll Morton Was Born Ferdinand Joseph
Words: 1278 Length: 5 Document Type: Term Paper

Jelly Roll Morton was born Ferdinand Joseph La Menthe in 1890 and later became a pioneer of modern American jazz. Growing up in New Orleans, he played piano in saloons and brothels when he was still a child. As an adult, he formed a band, the Red Hot Peppers and also played on his own. Morton is renown for his ability to bring traditionally black musical styles to the mainstream

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now