Indeed, Durer's woodcut has become so famous that it may have influenced the tendency to see the first white horseman in a more negative than a positive light, underscoring the power and influence of representational Biblical art upon popular theology and the collective cultural religious imagination. Of course, the fact that the other horsemen are so negative in their apparent intentions towards humanity, as the second horseman, riding the red horse, seems to be representative of war, the third horseman on the black horse seems to spread famine, and the fourth horseman on the pale horse is explicitly named death, further contribute to the sense that collectively, all four figures are destructive. In the print, three of the powerful riders on their white, red, and black horses gallop at the forefront of the work. The white horses' rider holds a bow and wears a medieval, peaked hat towards the background, the caped red horse's rider wields a sword, and nearest the foreground the black horse's rider is bareheaded, holding a scale. The skeletal horse with the skeletal man is evidently the pale horse's rider. The specificity of the artist illustrates that Durer knew the Biblical text's images quite intimately and wished to transcribe them in fairly accurate detail. However, the artist translates these images of war, pestilence, famine, and death into medieval terms of his own era -- the warrior's crown of the white horse's rider is clearly of the artist's age, as is the garb of the second rider, and the small metal scales held by...
Thus, like the work of so many artists, including the artists of our present day, Durer located his interpretation of the Book of Revelation not as a part of Middle Eastern history or theology particular to the era of the original text's authorship. The artist saw the text as a work to be reinterpreted for the artist's own age and times, in the contemporary terms of the work's likely audience. The end of days predicted is not in images of what would have been 'near' to the book's author, but what felt and seemed near to Durer himself, and to the woodprint's likely first gazers.
Marriage Work is a New York Times best-selling book by John Gottman, a psychotherapist, researcher, and award-winning author. The book focuses on the stability of marriages, outlining how couples can build lasting, harmonious relationships. Gottman's in-depth research on relationships focuses on the key behavioral predictors of divorce, which he calls "The Four Horsemen": Criticism, Contempt, Defensiveness, and Stonewalling. He notes that relationship counseling often focuses on improved communication, and
As a consequence, investors may suffer. Importance of the Study It is necessary and pertinent to discuss the importance of any study, and this particular study is important to many people across many countries. Not only does it have importance for people who are trusting people with their pension and hedge funds in Germany, but it also has importance for people who are considering a career working with these funds and
Denver Museum Culture and Visual Identity: The art piece chosen is "Soliloquy: Life's Fragile Fictions" painted by Moyo Ogundipe in 1997. Ogundipe is from Nigeria and belongs to the Yoruba culture. Many of the elements within the painting express the ideas and customs of the Yoruba people. The Yoruba people founded their particular part of Nigeria in approximately the 12th century AD. Art was a very important part of the culture; they
He explained that it was not popularity and looking good to others that should constitute success. It was what one struggled over and kept him thinking all night. He specifically spoke about President Truman's difficult decision to use nuclear weapons and his own military decision to risk lives (Roberts). According to him, the first rule about leadership is to take charge when in command (Saint 2001). The second rule
Law of Attraction Metaphysical Law of Attraction Need for consideration of Metaphysical Law of Attraction Attitude and their Effects Superordinate Identities Positive Effect in everyday interactions In conflict management Negative Affect As an indicator of an unhappy relationship Paving the road to D-I-V-O-R-C-E Positive Affect Paves the Road to Respect and Admiration Use of Law of Attraction and Intercultural Communication Metaphysical Law of Attraction "Thou, constrained by no limits, in accordance with thine own free will, in whose hand we have placed
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