Verified Document

Hong Kong And Media Essay

Related Topics:

Cultural Connections Between Asian and Western Media Akif, Osman, and Subhani state that media portrays the current age, recognizing and communicating negative and positive occurrences transpiring around us. Besides functioning as a means for exposing and dealing with a number of problems from diverse angles, it also produces positive representations and impressions as well as considers communities' ingrained history. Its contribution to the production and economic sectors is considerable. Assortment and transparency, the primary level, promotes and cultivates overall media, offering the economic and political domains sound authority or control. This represents a bottom-up and top-down strategy as media channels' scope covers both the destitute and the wealthy, the strong and the weak. Media protects specific populations' interests, fosters receptiveness and ensures administrative and governmental accountability when it comes to saving and protecting the environment. The worldwide advertising cost occurs due to the media's capability of influencing and modifying behavior. Considerable funds are expended towards persuading people, companies and groups across the globe and producing change within them. The media enjoys variable efficacy when it comes to altering views and inspiring change (Sinclair).

In Rohn's opinion, just as in all other cases, place and time have perpetual significance even in case of media. Media content variations have arisen on account of cultural obstacles. From the point of view of organizations, culturally-dependent audiences' requirements pose obstacles to entry into overseas markets. The growing international individual and goods movement implies an entry into 'imagined domains' in which social networks are forged without any national interest, boundary or flag. Global audiences are not cognizant of symbols and signs. A second disparity between nations is linguistic obstacles. While media channels translate content into local languages, its success is impacted by linguistic obstacles.

Literature Review

Facts about our world are communicated to developing nations from the industrialized ones. Of late, media channels in Asia have attempted at challenging and surpassing their rivals in the West, who dominate the international media market. While industrialized and Asian nations constitute around 14% of the global population, they are in control of approximately 66% of overall information movement. Further, the Asian media has attempted at more fairness, objectivity and thoroughness of coverage as compared to its Western counterpart. Media companies in Asia, especially those based in developing countries, currently engage actively in global events and cooperate better with one another in the reporting of regional news. One will no longer witness a monopoly when it comes to reporting major regional events and news in the continent, as media channels now share, edit, and exchange reports and facts for offering improved content to audiences. The Asian media sector is now studying novel technologies for transmitting information via cellphones and the World Wide Web. Beginning from the sixties, it has been growing and improving, contesting the unfair monopoly of the industrialized countries and acquiring global dominance (Chan & Suen).

Information movement and media content differences between the unindustrialized and industrialized countries hasn't experienced much change since several decades, owing to Western media channels' misconceptions and prejudiced views of Asian and developing societies. The Asians have learnt the skill of self-investment and relocating their resources for acquiring control and supporting improved communication. An example of current developments is groups and communication meetings in which nations such as Japan, China, Sri Lanka and Korea have formally agreed to make themselves heard over all other nations (People's Daily Online).

Rudolph indicates that Asian media challenges have an association with cultural politics. Competition in the area of producing culture and disagreements with regard to its meaning constitute the foremost challenge; the contemporary world pursues individual value and identity that can be evident by means of media. It promotes station, money and authority circulation. Another challenge is: the main interest of media is the simultaneous generation of romanticism, idealism, symbolism, and classism. It expands culture via globalization and global idea/information interchange. However, at times, the reporting of conflicting opinions with regard to diverse sovereigns may exacerbate hostilities between countries.
Iwabuchi elucidates that during the past twenty years, the world has seen extraordinary media culture production advancements and their international dissemination across the globe. Among the major areas wherein such cultural expression alternatives have thrived is East Asia which has witnessed growing cultural blending and organizational collaborations, besides a trend of intraregional consumption. These cultural dynamics illustrate novel forms of cultural relationships and innovation, and advance them across national boundaries. Cultural and media globalization has achieved a whole new level of diffusion and growth. Listening to pop songs produced by Chinese musicians, watching Korean soap operas and Asian movies coproduced internationally, and reading Japanese comics have now become commonplace practices in urban East Asia. Although media culture links between Asian countries have been in place for much longer, very dramatic growths and transformations have been seen beginning from the early nineties. This post-Cold War era has been characterized by major globalization process development. International goods, individual and capital movement has increased further by neoliberalism marketization diffusion and the strengthening of global migrant, vacationer and labor ethno-flow. Just as significant is the advancement of cultural and media globalization. Digital communication technology growth has personalized and decentered media usage besides lending itself to global media market integration and permeation by Time Warner, Disney, News Corporation and other dominant international media culture advocates (Iwabuchi).

Globalization of culture doesn't simply imply the dissemination of Western (largely US origin) products worldwide via media companies. Moreover, the growth of extra-American media culture generation capability has become prominent and a highly dynamic example of this is East Asia. Advanced media culture generation capability like East Asian movies, pop music and television has triggered regional coproduction, and intraregional media culture dissemination and use. The region has been recognizing media cultures belonging to other East Asian areas at a remarkable rate, resulting in the development of novel relationships between media culture businesses and individuals (Iwabuchi).

Analysis

Media represents the strongest and most important means of expression within the current globalization era. The Asian continent has understood media's capacity of maneuvering and manipulating current agendas. While it enjoys a certain degree of Western influence, the continent's media setting differs from that of other areas across the globe. The above disparity becomes apparent if one sees its operation and performance. America has contributed significantly to the creation, sharing and understanding of cultural norms which forms the foundation of the major part of media flow. A few scholars explain the Asian-American consumer culture overlap assisted by American media. Right from fashion and furnishings to fast food, consumer culture trends (linguistic, lifestyle, and aesthetic themes) are directed from America via mediascapes to the rest of the world. Media enables individuals to converse through diverse sources. Asian nations resemble global standards in media practice as well as law. Governmental media control (linked to a smaller amount of press freedom) is larger in nations having dictatorial political institutions. Media in Asia is democratic and open (by and for the people). Government and public interest guides Asian media channels for societal advancement (Osman, Subhani & Hasan).

Since long, media cultures of East Asia have amalgamated local components whilst grasping US cultural influences. However,…

Sources used in this document:
Works Cited

Campbell, Angelina M. "Screening Culture: Is Western Media to Blame for "Tainting" Traditional Third World Values?" Digital Commons @ Salve Regina University, 1 May 2010, http://digitalcommons.salve.edu/cgi/viewcontent.cgi? Accessed 10 May 2017.

Chan, Jimmy and Suen, Wing. "A Spatial Theory of News Consumption and Electoral Competition." The Review of Economic Studies, Vol 75, No. 3, 2008, pp. 699-728. JSTOR, http://www.jstor.org/stable/20185052.

Cheung, Charles Chi-wai. Media Power in Hong Kong: Hyper-Marketized Media and Cultural Resistance. New York: Routledge, 2016.

Ching, Leo. "Aesthetic and mass culture: Asianism in the age of global capital." Public Culture, Vol 12, Issue 1, 2000, pp. 233-257, cscs.res.in/dataarchive/textfile/. Accessed 10 May 2017.
People's Daily Online. "The world is not flat" - Asian media challenge dominating Western rivals. 9 August 2007, http://en.people.cn/90002/91680/91749/6235662.html. Accessed 10 May 2017.
Rudolph, Lloyd I. "The Media and Cultural Politics." Economic and Political Weekly, Vol 27, No. 28, 1992, pp. 1489-1492. JSTOR, http://www.jstor.org/stable/4398634.
Cite this Document:
Copy Bibliography Citation

Related Documents

Hong Kong Media After 1997
Words: 3958 Length: 12 Document Type: Term Paper

Lost Identity of Hong Kong After 1997 emphasizes on the cultural shift of Hong Kong after China's take over in 1997. This paper mainly focuses on Hong Kong's lost freedom of press and expression and how the Chinese leaders turned away from their words after the hand over of 1997. This paper also highlights the consequence of many journalists who tried to defy the Chinese rule and went against

Hong Kong Ocean Park: Advertising and Promotion
Words: 2935 Length: 8 Document Type: Essay

Hong Kong Ocean Park: Advertising and Promotion Plan I brand manager a renown consumer product marketing company responsible Hong Kong Macau markets. Ocean Park has been a well-known brand in Hong Kong since 1977 Ocean Park Hong Kong, 2008. This advertising promotion plan is for the Hong Kong Ocean Park which has three in-park themed hotels. These hotels are named Ocean Hotel, Fisherman's Wharft Hotel and Spa Hotel Frew, 2005. Each hotel has its

Hong Kong Was Colonized by Quite a
Words: 598 Length: 2 Document Type: Essay

Hong Kong was colonized by quite a few nations before it was returned to Chinese control. Among the colonizers were Japan in World War II and Great Britain. On July 1, 1997 sovereignty of Hong Kong was returned to China from England. Britain had gained control of China in the 1800s after the Opium War. Their possession was interrupted in the Second World War. Hong Kong was a colony of

Hong Kong Marketing Concerns
Words: 981 Length: 3 Document Type: Essay

Hong Kong Disneyland's Market The market that Hong Kong Disneyland operates in is multi-fold. A large aspect of its market is based on its location. Centered on Hong Kong's Lantaue Island, the organization posits itself as the premier destination for leisure and vacationing in the Asian Pacific (Hong Kong, 2016, p. 2). Moreover, the immediate market for which it operates within this space is in "Hong Kong, mainland China and Southeast

Hong Kong Cinema Hollywood Is
Words: 1629 Length: 5 Document Type: Term Paper

A recent market report notes, In recent decades, famous Hollywood directors, such as Quentin Tarantino and Oliver Stone, have credited the influence of Hong Kong film styles on their works. John Woo has relocated his career to Hollywood to become one of its biggest directors. In fact, not only has John Woo's style influenced others, but his current films are Hollywood. ("Hong Kong movie skills grow in Hollywood" para. 2) Precisely why

Hong Kong
Words: 1748 Length: 5 Document Type: Term Paper

Kimpton Hotels & Restaurants Hong Kong This paper analyzes the internal and external environment of Kimpton Hotels and Restaurants for the purpose of recommending the most effective and feasible way to enter the boutique hospitality industry of Hong Kong. The internal environment is assessed by analyzing the core strengths and major weaknesses of the company whereas external environment is evaluated through an analysis of potential opportunities and threats, competitive environment, market overview,

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now