Ironically, an article by Beaver (2010) intended to decry the lack of censorship in gangsta rap actually demonstrates that companies allowing greater artistic freedom tend to succeed with greater longevity. According to Beaver, in spite of calls from communities to engage in censorship of violent or misogynistic lyrics, "the companies have basically ignored their critics and continued to market gangsta rap because for years it had been so highly profitable." (Beaver, p. 107) This shows the counterpoint to the current strategy toward safe streamlined music taken by the industry.
The result, in musician and documentarian Thurston Moore's opinion, is that for company's like Warner, Sony and EMI, the sheer motives of profitability created a new era of obstruction for artists of a wide range of styles, talents and ambitions. The music industry of the 2000s would be substantially marked not just by a terrible downturn in economic viability but also by a stunning rejection of values such as creativity, artistic freedom, originality or boldness. Where the most successful labels of previous generations succeeded by taking chances where others feared to tread, the 2000s would mark a disastrous retreat from these values.
3. Weightless work
The sweeping changes taking place in both Hollywood and the record business would be considerably hastened by the advent of digital film and music. This allowed for the occurrence of two major phenomena from which both industries are still reeling to recover. Namely, the proliferation of digital media has contributed to widespread online 'piracy' and in doing so has cut devastatingly into the profitability of old models for both industries.
The text by Coyle (1997) foretells of the economic insecurities associated with 'weightlessness' as a mode of innovation. According to Coyle, "weightlessness, symbol of the economic effects of the cluster of advances...
Music and the Internet in order to accommodate these specifications in the number of pages requested (though the paper is 9 1/2 pages as it stands), the paper has utilized ANALYSIS in the article and the discussion section, thereby combining article summary with analysis of sources and thus putting the second point given by the professor "Then write a separate discussion the issue as a whole…" into a proper context -however, as
For example, music revealed disillusionment with the American Dream and expressed criticism of American foreign and domestic policy. In particular, the music industry reflected the anti-war sentiments during the late 1960s and early 1970s when the United States was still involved in Vietnam. Music also reflected shifting social and cultural values. For example, songs in the 1950s were innocent whereas those from the 1970s were darker in tone and often
Again, I would find here that in spite of my assumptions entering into the process that the technology now available has been the primary cause of damage to the record industry, the poor practical orientation of the record industry seems to be the real catalyst to its dramatic collapse. As McCready points out, making money on album sales through a record company has always been a convoluted and dubious
Musicians The topic of interest is the relationship that musicians have with the Internet. The Internet era has brought significant challenge for artists, especially pertaining to piracy, but there are also opportunities. The Internet, therefore, has significantly changed the media and marketing landscape for artists. Morris (2010) notes that music has largely shifted from physical commodity, being sold on CDs (and vinyl and cassettes before that) to a digital commodity. This has
How the Internet has Transformed the Economics and Value of Music Introduction Digital technology has transformed the way people all over the world consume music. The Digital Age has also impacted the way musicians, artists and producers benefit from making music. Prior to digitalization, music had to either be consumed live and in-person or through the purchase of a hard copy (disc, cassette tape, record, etc.). Now that music files can be
Program Music Roles of The Program Music Program music refers to a form of music which tries to deliver an additional musical story musically. This story involved could be rendered to its audience as program notes, causing imaginative comparisons with its music. This concept of program music enjoys more fame and application in the European classical music world, especially during the height of romantic works in the 1800s. Program music was a very
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now