Hohokam Culture and Traditions
The Hohokam culture was one of four "major cultural groups that dominated the southwest," which included like minded native American groups such as the Anasazi, Mogollon and Patayan (McGuire, 1996; Cordell, 1984). The Hohokam culture is often referred to as the sibling of the Anasazi (Kroeber, 1962), having many cultural similarities with its better known cousin. The Hohokam lived among the entire region of the "lower Sonoran desert within Arizona, part of the Basin and the Range in this region" (McGuire, 1996). The Hohokam contributed many different ideas and cultural practices that changed the way of traditional native Americans. They are most well-known for their agricultural fervor, artistic ability and ceremonial rituals which involved cremation of their dead rather than burial.
The name Hohokam is synonymous with "the ancients" (Kroeber, 1962). The tribe were neighbors to the Anasazi, somewhat similar to Pueblo cultures (Kroeber, 1962), and though to have migrated from various regions in Mexico to Arizona and the surrounding area (Gregoris, 1997). Many often compare the Hohokam with the Anasazi, who built very similar dwellings and lived similar lifestyles. The Hohokam distinguish themselves somewhat however by building largely segregated dwellings on posts and reeds, with habitats typically more arid in nature requiring the digging of irrigated canals and ditches (Kroeber, 1962).
The Hohokam prehistory period is often divided into four periods by archeologists, including the following: pioneer, colonial, sedentary and classic (McGuire, 1996; Dean, 1991). Most often commented on are the periods from sedentary to classical.
In the earliest phases of culture, referred to as the colonial, red-on-grey pottery was often created by Hohokam potters (McGuire, 1992). Pottery was used for trade, cooking and as a form of art, often decorated with images of designs and animals. Hohokam traditions during the colonial period typically spread across all of Arizona, with villages...
Rock art does not have a singular function in the physical images or meaning of the object -- it may be religious or historically commemorative, or use extraordinary or ordinary symbols, depending on how the tribe wishes to make its mark upon the surface of nature, and the type of transfer of tribal power that is being conducted in the specific circumstances. The main unifying theme in all of the
Father Eusebio Kino This report is about Father Eusebio Kino who was possibly one of the greatest Spanish missionaries of all time. Over the course of his life, Father Kino influenced a great many individuals in the Western portion of the United States long before there was a Declaration of Independence. This report will attempt to present some of his greater accomplishments as well as an account of his interesting life.
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now