As a result, both works of art share this similarity, as they want to instill the audience with a sense of awe and respect for this person. (Stokstad, 2011)
When you step back and analyze both statues, it is clear that Donatello as well as Michael Angelo is trying to impress upon the audience a sense of: strength and respect for their statues. This is illustrated by the way they are using his physique, to underscore his physical strength and sexual prowess. However, both artists have different interpretations about what this character should look like. As far as Donatello is concerned, he is highlighting these momentous changes that are occurring (through a graphic depiction of the aftermath of the battle). Where, he shows David posed victoriously, with his foot on top of Goliath' severed head. This is important, because Donatello is trying to instill in the audience a sense of awe about what took place, by showing the brutality and accomplishment from these events. In the case of Michael Angelo, he is going for a more subtle interpretation of the underlying situation. This takes place, through the conservative pose of David after the battle. The difference is that this interpretation does not contain any kind of graphic violence. Instead, it is showing a sense of certainty and calm, through the relaxed pose of David along with his facial expression. This is important, because it highlighting how Michael Angelo is trying to instill the sense of certainty, by letting the audience imagine the previous events in their own minds.
Conclusion
Clearly, both works of art are a representation of...
(Kleiner, 2010, pg. 360) While Giotto's Christ Entering Jerusalem, is a depiction of Christ entering the Jerusalem. In this situation, he is trying to instill a sense of history and righteousness by showing Christ entering one of the holiest cities in Christianity. At the same time, he is embracing the same kind of basic painting style that was most commonly used during the time. This is important, because it shows
As the various are works are depicting the two as a perfect match. A good example of this can be seen in the painting the Meeting of Marie de ' Medici and Henry IV at Lyon. Where, Rubens is showing the two in heaven, looking down on themselves when they were younger riding lions. This is important, because the image of them in heaven is highlighting how they are
The Hagia Sophia is no less impressive, as it is a perfect example of Byzantine building style. In spite of their initial purposes, the Pantheon had later become a place where Christians worshiped their god and the Hagia Sophia had later become a place where Muslims worshipped Allah. The base structure of the Pantheon is a cylinder, while the Hagia Sophia rests on a square-shaped base. The roofs of both
" 2009. Pious Fabrications. March 2013. . Sharma, S. "Was Middle Ages in Europe a Dark Age?" December 2004. The Education Forum. March 2013. . "The Meaning of Sacred Symbols." 2005. Historyofpainter.com. March 2013. . "The Middle Ages." 2010. Middle-Ages.org. February 2013. . Marriage at Cana (Giotto) Notes: Classical Pottery, more like Greek Urns. Walls painted in classical style The Roman Arch Balcony with more Islamic Flavor Requisite halos above religious figures More realistic, less idolized characters Notes: Classical dress, Greco- Roman togas Greco-Roman
The largest difference exists in the basis of the Western holistic treatment and the basis of Ayurveda. Western holistic treatments are based on TCM or 'Traditional Chinese Medicine'. The key components of TCM are as follows: Qi (pronounced like "chee") - this is the vital energy necessary for life (blood, body fluid) Zang-Fu - the internal organs; and Jing-Luo: - this governs the meridian and collateral systems of the body. (Brown,
Art History Of the Western World Raphael's Madonna of the Meadow is from the High Renaissance period, which lasted from the 14th Century to the 16th Century. The Italian term "Madonna" is a medieval term for a noble or important woman, but in Western art it has come to specifically refer to work that depicts the Virgin Mother Mary. Biblical subjects such as the Madonna were very important to Renaissance painters
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