Verified Document

History Of Bands Wind Ensembles As Related To Music Education Term Paper

History Of Bands/Wind Ensembles The Wind Ensemble

The modern wind ensemble was born in 1952. Frederick Fennel created the Eastman Wind Ensemble in that year. For this ensemble Fennel created an entirely new instrumentation, which used the instruments that were normally found in symphonic bands or concert bands. However, unlike these bands, Fennel made each section playable by only one person, instead of an entire group. In this arrangement, every player has the chance to play solos and therefore have a greater challenge. Fennel worked hard on getting composers to write music for this arrangement. Composers would write music for it that was much like the winds and percussion section of an orchestra, but with added instruments like the saxophone and euphonium.

One of the only composers that wrote music for bands was Sousa, who composed march pieces. Other than marches, most music played at band concerts was...

Parts of this document are hidden

View Full Document
svg-one

It was Fennel that first started arranging these classical pieces, such as those by Mozart and Gabrieli, for the wind ensemble. Groups of any size could perform these new arrangements, Each member of the ensemble could now perform classical, military, symphonic, and other musical pieces. The wind ensemble as envisioned by Fennel quickly became popular in high schools and colleges and universities because of the flexibility for students. Many other organizations that feature bands also use the wind ensemble formation, even across the world. Many composers today will write music specifically for this ensemble. The wind ensemble has woodwind, brass, and percussion instruments in the makeup.
The piccolo, a word meaning "tiny" in Italian, is a small flute. It is normally pitched in the key of C. Interestingly, music for piccolo is written an octave lower than it is intended to…

Cite this Document:
Copy Bibliography Citation

Related Documents

Music Appreciation Describe the Characteristics
Words: 4564 Length: 15 Document Type: Essay

In other words each music performance is different and the impulsiveness of each performance confirms the concept of indeterminate music. 6) Describe an Indonesian Gamelan. (Textbook p. 282-283) It said that Debussy, when he heard the Indonesian ensemble called gamelan was surprisingly delighted at its diverse and delicate timbers, and decided to use the elements in the impressionistic sound which he was working at developing. The gamelan, a distinctive Indonesian orchestra consisting

Le Grand Hautbois
Words: 6350 Length: 21 Document Type: Research Paper

Le Grand Hautbois During the reign of Louis XIII and especially Louis XIV, the courts were alive with new Baroque music and instruments. Many new wind instruments were being created with a variety of innovations and some other instruments were being newly invented. It was a time of experimentation, as these just introduced instruments had to be tried out for their range, sound and quality. Louis XIV from his childhood on

Theories Tactics Methods and Techniques
Words: 24173 Length: 76 Document Type: Term Paper

EDSE 600: History and Philosophy of Education / / 3.0 credits The class entitled, History and Philosophy of Education, focused on the origin of education and the "philosophical influences of modern educational theory and practice. Study of: philosophical developments in the Renaissance, Reformation, and revolutionary periods; social, cultural and ideological forces which have shaped educational policies in the United States; current debates on meeting the wide range of educational and social-emotional

Traditional Se Asian Bamboo Flutes:
Words: 28549 Length: 95 Document Type: Dissertation

Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance. In fact, the kind of side-blown, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as well as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now