History As Art
The past is not real, nor tangible. We cannot revisit the past as we are forever placed here, in the eternal now to navigate our existence. History provides our imaginations with concepts and ideas that allow us to seemingly describe the past. It must be remembered and heavily emphasized that history is in fact an art. It is not a science and it has no capability of being inductively reasoned and scientifically applied.
Although these limitations are often ignored by many historians and scholars, who feel that history is a guiding force, ignores the pulling forces of the needs of the future for mankind. The purpose of this essay is to explain the various considerations of diverse groups and how these themes impact the way we see the past. This essay will attempt to explain the thinking of other groups as it relates to history by giving several examples. The inevitability of history's forcing of multiple opinions and the perceptions surrounding these opinions will be discussed to help frame the many problems that history has as a relevant intellectual approach and its failures to capture a true reality.
History Is Not Real
History is the art form of essentially controlling the thoughts and emotions of the present, using the events of the past as a stimulus for hopes of a certain future. To suggest that the totality of any one single event may be captured in a document or written expose, sells the human experience short in so many awful ways. The hubris attached with most historical documents suggest that something bigger is at work. Some may argue that history is nothing more than propaganda. It is a historian's...
Children need special attention when dealing with traumas they might not fully understand. Thus art therapy has been proven to benefit the increasing number of children dealing with PTSD and other trauma related disorders creating fear and anxiety within the innocent child. Another major benefit of art therapy is that of the informal nature of the expression. Unlike language which is complicated through strict grammatical rules, artistic expression has
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art History And Contemporary Art The world is a complex place and the old, outmoded, Eurocentric way we look at politics, economics and culture (art) may not be the right way to conceive the new order. Globalism describes, in fact, the increasing unification of the world through economic means (reduction of trade barriers, support of international trade, and mitigation of export and import quotas). They goal for globalization is to increase
However, it is good to note that despite the numbers of typefaces, designers were seemed to be not contented with it. The new batch of designers did not maximize using the traditional typefaces offered to them by the computer, and they opted to use specialized software programs and created new type forms. Not only were they able to create unique typeface of their own, but they were also able to
French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and
To illustrate these different views, he creates Starry Night over the Rhone. This shows the sense of anticipation that is occurring before the evening begins. As he is depicting, a quit outdoor cafe that is waiting for: the customers to begin arriving and the festivities to commence. To illustrate this sense of anticipation he uses different colors and lighter brush strokes. As there is: yellow, black, blue, tan and
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