Electronic Music
The creation and enjoyment of music has been a part of our collective human culture since long before the beginnings of recorded history. It is believed that once upon a time even cavemen and Neanderthals were able to create music using their prehistoric instruments and technologies. Archaeologists and historians have discovered remnants of musical instruments in dig sites from all across the globe. The various instruments or what may or may not have at one time been instruments, that have been found at each of these locations have been a reflection of the culture in which it was used. As modern culture is reflected in current musical interests, so too the cultures of past civilizations have been reflected in the instruments and music that those cultures had left behind. Part of the culture invariably involves the tools and available materials that the population would utilize in order to create music. As with all advancements that are made in technology that man has made, music has changed to incorporate the new devices and techniques. Perhaps the most important invention of the modern age was the concept of harnessing electricity so that it could be used for personal and professional enterprises. It wasn't long before scientists began experimenting with utilizing electricity to create music. Since the advent of electricity as a common utility, the world of music and musical instruments has been forever altered.
There are two classifications of electrical instrumentation: electronic musical instruments which use the production of electromechanical sounds (e.g. The electrical organ or the electric guitar) and instruments which produce electrical sounds (e.g. The Theremin, sound synthesizer, or computers which are capable of producing either musical or vocal sounds). Some of the most common examples of electronic musical instruments that are still in use today are the electric guitar, the electric keyboard, and the electric piano. However, these are nowhere near the only electric instruments that are in existence. Currently, there are electronic variations of almost all available musical instruments. The difference between electric musical instruments and instruments which produce electrical sounds is that the former type is an instrument that could function without the utilization of electronics, but is changed or improved by the incorporation of electrical or computer technology, whereas the second type requires electrical mechanics in order to create sound. Both types of electrical instrumentation are important to the history of music as a whole.
Perhaps the most popular electrical instrument still in use today is the electric guitar which was patented in 1931 (see figure 1). There are, however, patent applications in existence from as early as the 1910's and 1920's which show that musicians and inventors were using telephone transmission parts and using them in violins, banjos, and other stringed instruments. This was done in order to attempt to amplify the sound of the instruments from their natural state. The credited inventor of the modern electric guitar is George Beauchamp, who received a patent in 1931. In 1948, the first solid body guitar was invented by Les Paul (Hunter 2007). The difference between the former types of guitars and the solid body guitars is that the latter allows for sound to be amplified and produce stronger string vibrations. This type of body design stops the instrument from producing what is referred to as "wolf sounds." These things that are called wolf sounds are actually the hollow sounds that make echoes in the wooden bodies of the instrument. A solid body guitar prevents these echoes from affecting either the recordings or the performance of the instrument. In order to function, the electric guitar uses the principle of direct electromagnetic induction. This process means that the induction changes the vibrations of the metal strings into electrical signals. The signals vary depending on which metal string is hit by the person playing the guitar. However, unlike a traditional guitar, the instrument does not make music just from the plucking of strings. Instead, the signal that is made from the electric signal has to be directed elsewhere. The signal that is produced is very weak upon initial strumming. It requires the use of an amplifier which is attached to the guitar through a chord. The amplifier allows other people to hear the sound generated from the playing of the guitar. Since it is an electrical signal and because it is caused by vibrations, the music can be easily modified using different reverberations or distortions of the vibration. These are done through the amplifier or...
Aristoxenos, two centuries after Pythagoras released his model, sought to discredit the standing theories held by Pythagorean devotees. In his works, he established that numbers are not relevant to music, and that music is based on perception of what one hears, not any mathematical equation. Descartes as well as Vincenzo Galilei (Galileo's father) both also discredited the music-to-math theories that formed the revolutionary basis for Pythagoras' music work, but not
Classical Symphony Music, like other forms of art, evolved from numerous traditions that, when taken together, formed a new way of thinking about, and performing, certain types of works. Audiences change over time, and certain musical compositions that sound odd or strange to one audience are often accepted by others (e.g. The rioting during the premier of Stravinsky's Rite of Spring). When people think of classical music, for instance, they tend
Gamelan Music Overview- The gamelan is a traditional musical ensemble from Java and Bali, islands in the Indonesian chain. In the Javanese language, the word meaning bronze instrument. The word gamelan includes several different types of instruments, and has come to mean more of a traditional style and use of instrumentation, including at times vocals. The traditional gamelan orchestra includes instruments like xylophones, kendang drums, gongs, metallophones, bamboo flutes, and bowed
New Technologies and Globalisation on the Music Industry The global music industry today is going through a series of disruptive innovations that are changing business models in the short-term and value chains over the long-term. The pervasive influence of the Internet, mobile and streaming technologies, and the shift from CD-based music to digital and online music also signals how quickly the global value chain of the music industry is changing
The basic materials might include tin cans, fragments of speech, a cough, canal boats chugging or natural snatches of Tibetan chant (all these are in a work called Etude Pathetique). Musical instruments are not taboo: one piece used a flute that was both played and struck. Differences in balance or performance can also be used to extend the range of materials. All of this is very similar to the way
With the changing global economy this is unlikely to change any time soon. References Bonnis, G., & Steenblik, R. (1998). Water, Agriculture and the Environment. OECD Observer, a (212), 28-30. Readers Guide to Periodical Literature Che, T.N., Kompas, T., & Vousden, N. (2006). Market Reform, Incentives and Economic Development in Vietnamese Rice Production. Comparative Economic Studies, 48(2), 277. Retrieved October 22, 2008, from EBSCOhost database Clement, M. (2004, February). Rice Imperialism: The Agribusiness
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