246). Others see the uprights as Moore's reflection of World War I, or bombs cut in half lengthways to show their internal workings, giving a long, smooth and rounded shape at the back and a complex series of mechanical forms at the front. In this case, he is anthropomorphizing the bombs by adding facial parts. Regardless, these sculptures are highly abstract and ambivalent, impacting people in different ways (Mitchinson 1998)
It is most likely more the case that Moore's uprights are not dark and pessimistic recreations of bombs. When he first saw the prehistoric stone monoliths at Stonehenge in the 1930s, he was elated and began to try different types of sculptures: "I started by balancing different forms one above the other -- with results rather like the Northwest totem poles (Mitchinison 1998).
By ambiguously mingling the human form and nature, Moore said he was able to show that man is part of the natural world and not just someone who observes. In Picasso's works, Moore found more ways to reinvent the human figure than he had through anyone else's works. He said in 1937, "There are universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not cut them off" (Kosinski 2001, p. 44). Although Moore did not prescribe entirely to Surrealism, often his human forms suggest "the manipulations of Dali" (Bazin 1968, p. 86).
Last year, there was a major event at the Kansas City Sculpture Park: It was necessary to...
sculpture of artist Henry Moore. Specifically, it will look at his art style and how events in his life affected his work Henry Moore was an influential English abstract sculptor who lived from 1898 too 1986. His modernistic works appear in museums and collections around the world. He was intensely preoccupied with two forms of sculpture above all others, the "reclining figure," which he reproduced dozens of times. Each one
Moore's figure has no discernable facial features as the Chac Mool does. The effect of Moore's drapery is different from the stiffer clothes worn by the Chac Mool. Moore's figure seems more fluid and therefore more relaxed than the stiffer, more stoic Chac Mool. The latter is in stone and the former in bronze, adding to their overall effects. The Chac Mool also seems more angular, as the figure has
Art "Any brief definition of art would oversimplify the matter, but we can say that all the definitions offered over the centuries include some notion of human agency, whether through manual skills (as in the art of sailing or painting or photography), intellectual manipulation (as in the art of politics), or public or personal expression (as in the art of conversation). Recall that the word is etymologically related to artificial
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(Pablo Picasso: Wikipedia, the free encyclopedia) Also he was very a possessive individual who had a love-hate relation with his old friends. (Pablo Picasso: A Passion to Create) Even though Picasso was not a mathematician or a philosopher, the works he and Braque delivered between the years 1911 and 1918 was greatly bound to the perceptions of thinkers including Einstein and Alfred North Whitehead. Even before any Pop artists were
Renaissance Art An Analysis of Love in the Renaissance Art of Sidney, Shakespeare, Hilliard and Holbein If the purpose of art, as Aristotle states in the Poetics, is to imitate an action (whether in poetry or in painting), Renaissance art reflects an obsession with a particular action -- specifically, love and its many manifestations, whether eros, agape or philia. Love as a theme in 16th and 17th century poetry and art
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