Hemingway's A Moveable Feast provides remarkable insight into the life and times of one of the world's great modern authors. However, what makes A Moveable Feast timeless is that it captures an era. In the posthumously released memoirs, Hemingway writes about one of the glory days of Parisian life. The bohemian ambiance is palpable, told in Hemingway's characteristically subdued and deceptively simple prose. Paris was a hotbed of creative energy during the 1920s. Readers already know that from terse encounters with film, literature, and art history. Hemingway brings Paris in the 1920s to life. The author recreates scenes, conversations, and situations that deliver the reader right there into the street life, bars, parties, and bedrooms of the people that Hemingway encounters. The title of the memoirs derives from one line in Hemingway's writing, that Paris is itself a "moveable feast." Hemingway uses this deft metaphor to capture the multisensory experience of living...
Paris was a feast for the senses, including the intellect and the heart. Moreover, that sumptuous feast for the soul is "moveable" through both space and time. Hemingway and his fellow expatriates are also living a rather transient, "moveable" existence. Their creative self-expression also becomes a "moveable" form of art that transcends time.Autobiographies A memoir or autobiography can take on a myriad of different literary forms; for both Gertrude Stein and Ernest Hemingway self-reflection is best achieved through the eyes of other people. The impact of Hemingway's A Moveable Feast and Stein's The Autobiography of Alice B. Toklas is remarkable: the creation of autobiographical material that is neither narcissistic nor self-centered. The authors achieve their literary feats in part by writing in a
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