As the ghost that he saw, caused him to believe that he should do everything to try to avenge the death of his father. This is dysfunctional, in that the majority of people do not let a spiritual being influence their actions in such negative ways. Instead, they will use this to help to motivate them to accomplish a much higher purpose. For example, if Hamlet had decided that he would avenge his father's death by becoming the King one day. He could focus on areas that would help him to live up to the ideals and values that he was known for. This would have meant that the large amounts of death and destruction would not have occurred. At the same time, any kind of animosity would have been dramatically reduced. This is because Hamlet, is attempting to directly control his mind and the actions that he is taking.
Therefore, readers should look at Hamlet as mentally disturbed and delusional. The reason why, is because he is letting these events control his life and the way that he is reacting to a host of situations. Once this occurs, is when is setting off a set a series of negative incidents that will have devastating consequences for everyone. The end result is that nearly all of the characters from the story will die and Hamlet will have his revenge. But, it will come at a high cost for everyone involved. This is troubling, because it is showing how Hamlet's form of mental illness would have ripple effects on the outcome of the play.
Clearly, the best way that readers can account for Hamlet's actions is to look at him as someone who is suffering...
Hamlet's attitude towards the other female characters in the play, such as Ophelia is shaped by the distrust of women that is engendered by the mother's actions. Many critics have noted the strange and extreme attitude that Hamlet has towards women in general. As one critic notes, ...there is a distinctive pattern in Hamlet's language and behaviour whenever he is thinking about or dealing with Ophelia and Gertrude in fact, Hamlet's
Hamlet lives vicariously through the devices that he uses to capture or replay reality. However, those devices actually serve to separate Hamlet from the very world he is seeking to capture. This concept is dramatically displayed by Hamlet's use of headphones. Though headphones generally provide a listener with music or other entertainment, Almereyda's makes it clear that they also serve a secondary purpose: to shut out the external world.
Shakespeare Final Opportunity for Reflection and Writing Identifications: "Stand and unfold yourself" This quote comes from Shakespeare's Hamlet. Francisco and Bernardo are two guards standing watch in the middle of the night at the castle Elsinore. This is the second line of the play, spoken by Francisco in response to Bernardo's question of who goes there. It is an important part because it sets the tone for the rest of the play. Much of
Shakespeare and Insanity An Analysis of Insanity in Four Plays by Shakespeare Shakespeare lived at a time when the old medieval Catholic world was splitting apart and giving rise to the new modern Protestant world. In the midst of this real conflict, Shakespeare depicts on stage several different characters that go mad. Some feign madness, some truly lose their minds, and some are bewitched by the maddening charms of love potions. This
The Oedipus complex suggests that every son wants to marry his mother and kill his father -- and that is precisely what Claudius does. "Sex and the life instincts in general are, of course, represented somewhere in Jung's system. They are a part of an archetype called the shadow. It derives from our prehuman, animal past, when our concerns were limited to survival and reproduction, and when we weren't
Shakespeare Never Read Aristotle? Or, the dynamic forms of catharsis and tragic flaws in Shakespeare's plays Shakespeare's most beloved plays are his tragedies. If one were to list his best and most popular plays: Othello, Romeo & Juliet, Hamlet, King Lear, and so forth, one would find the list comprised almost entirely of tragedies. So it would not be amiss to say that much of the modern literary conception of theatrical
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