He questions whether he should try to clear the court of corruption or just give up and end his life now. It is this emotional doubt that drives Hamlet to act deranged at times, but he overcomes it, and almost manages to answer the difficult questions posed in his life. In Act V, when calm returns, Hamlet repents his behavior (V, ii, 75-78) (Lidz, 164).
In Lidz's book Freud is quoted as saying "that if anyone holds and expresses to others an opinion of himself such as this [Hamlet's "Use every man after his desert, and who shall escape whipping?"], he is ill, whether he is speaking the truth whether he is being more or less unfair to himself." Though Hamlet has proved his intellectual stability, he is quite obviously emotionally "ill."
This emotional illness and uncertainty is why Hamlet procrastinates in the killing of Claudius. On his way to see his mother Hamlet sees Claudius praying and decides not to kill him. This clearly shows that Hamlet was not kept from gaining vengeance by a lack of opportunity. In fact, Hamlet reveals that he did not kill Claudius when he first had the chance because if he killed him while he was praying, Claudius would go to heaven. Though in modern times we would suspect that there is a deeper reason for this, heaven and hell were considered very real things by Elizabethan audiences, and this Hamlet actually loses his opportunity to carry out his plan for vengeance because the severity of his anger towards Claudius -- that is, the strength of is emotions -- prevents him from doing Claudius any favors (Weston, 181). It is also important to keep in mind that Hamlet had other things confusing his emotions at the same time, most importantly his mother. He is not so obsessed with his father's murder that he must hasten to revenge (Lidz 235). He believes (more likely made himself believe) that he can kill his uncle and get the throne at anytime, but more importantly his mother's obliquity will remain with him (Lidz 235).
Hamlet's check on exacting revenge must also take into account how the events that unfolded while he was away at college shattered his dreams so violently. It is likely that in his more carefree days before the action of the play he considered himself a very idealistic person, an almost Renaissance man. Killing his uncle in cold blood would then require him to become a person that he is not. Coleridge says in "Interpreting Hamlet" that "Hamlet is placed in circumstances, under which he is obliged to act on the spur of a moment. Hamlet is brave and careless of death;...
Heaven and earth! Must I remember? Why, she would hang on him as if increase of appetite had grown by what it fed on: and yet, within a month, -- Let me not think on't, -- Frailty, thy name is woman! -- a little month; or ere those shoes were old With which she followed my poor father's body Like Niobe, all tears; -- why she, even she, --
.. O, woe is me, t' have seen what I have seen, see what I see!" (3.1. 116-164). The connotation is that her heart is breaking. This scene combined with her original startled outcry to Polonius in Act I further illustrates that Ophelia was in love with Hamlet, and that she did not meet him with ill intent despite the ulterior motives of everyone else. This further builds upon previous evidence
To act in a murderous, vengeful way that is contrary to his true nature, and to assume madness creates madness. At first, Hamlet suggests that vengefulness in a corrupt court is a kind of sanity, when he vows to put on an antic disposition, but he acts in a way that is more and more contrary to his moral nature as the play goes on, rebuking his mother against
Throughout the play Shakespeare presents Ophelia as the symbol of innocence who is destroyed by the evil and harshness of the world; which has its origins in the murder of the King. We experience her slide towards insanity in terms of the terrible predicament of her situation. It is also tragically ironic that the real cause or her madness is the murder of Hamlet's father, which has also driven Hamlet
After Hamlet has killed Polonius and Laertes has returned from Paris demanding satisfaction, Hamlet justly observes "by the image of my cause, I see the portraiture of his." It is the contrasts between these three characters which give significance to the parallelisms. The intelligent, sensitive Hamlet and the hot-headed Machiavellian Laertes perish on the same poisoned foil, leaving the kingdom to the cool-headed Norwegian, who has been a shrewder contriver
Hamlet Annotated Bibliography Cook, Patrick J. Cinematic Hamlet: the Films of Olivier, Zeffirelli, Branagh, and Almereyda. Athens, Ohio: Ohio UP. 2011. Print. This book focuses on the many versions of Hamlet that have been made for the silver screen. The play by William Shakespeare is one of the most frequently filmed works and each version of the story has a unique perspective. Director, screenwriter, and of course actor each influence the overall
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