Second I will discuss the symbolism of the two buildings. The symbolism of both shows that the key images of both buildings depends on the perspective from which the building is viewed. The author talks of a 'colossal artichoke...a blooming flower' when referring to the Gehry museum while Wright's Guggenheim is in the shape of a seashell. These are all key images as related to the two architects.
The third discussion will focus on the iconography of the buildings which can be described as the viewer's participation in identifying and explaining what is going on in the building.
As mentioned above neither building has a form that follows function and the Gehry creation especially is difficult to tell what is going on in the building. Each perspective of the building from the viewer's participation can be totally different depending on the view. This is especially true of Gehry's museum. Wright's museum has a more difficult time in being 'right' due to its proximity to so many closely cropped buildings. This difficulty is examined in the next paragraph when the composition of both buildings is discussed.
The composition of a building can be defined as "the ordering of relationships: among details, among regions, among details...
Public and private sector organizations of all types and sizes often find themselves in need of rebranding as the result of the need for a new image or in response to changes in consumer preferences (Tevi & Alexander 2013). One major organization that has found itself in need of rebranding for these and other reasons today is the Solomon R. Guggenheim Museum (hereinafter alternatively “the Guggenheim Museum” or simply “the
Music Producers Biographical Introduction: Teo Macero Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, Record Producer," as if readers would need that crucial bit of
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The faster recovery of industrial production in emerging economies can be partially explained through the rebuilding of inventories, which were initially low and required replenishment when it became clear that the global economy would slow its freefall. Still, developing countries have shown significant heterogeneity in relation to the countries of Eastern Europe and Central Asia, much worse than emerging Asia. The results from Latin America were located in the middle
The open space invites you to dwell on the mysterious and contemplate the interior life -- away from the crowded, stacked-up world just beyond the walls: "deliberately placed…beyond the limits of control" (Witcombe). The Guggenheim, therefore, takes you out of your element: it transports you into another time, another place -- a time and place that never existed and has yet to come into existence: a sanctuary where modern art
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