We accept these injustices because in theory the poor and the suffering can better themselves through hard work, due to the nature of the capitalist system. We try to rectify these injustices to some degree through social support safety nets: yet for many individuals, there is too much to overcome, too many obstacles placed in their way even before they are born. On a macro level, the developing world often

Certainly this is a key theme in books by diverse authors (Malamud, Tan, etc.). It is the very institutionalization of race that causes it to continue and perpetuate when, quite easily we see that figures such as James Baldwin and others, working in the 1920s and 1930s in Harlem, could begin the long road to overcoming White supremacy. What does the "impact of modernity" mean to traditional cultures of the

At the same time, Daru did not openly encourage the Arab to escape. Adherence to societal rules must be dependent on the justness of those rules and in light of the crime the Arab had been accused of, Daru likely felt some obligation to law and order. Daru lives literally between the confines of the rigid colonial social order and the vast wilderness of the Algerian desert. His geographical position

Daru is still trying to cling to a sense of morality; yet, the Arab himself shows how this will not work in a world of uncertainty because after he is set free, he goes to the police station himself. James Baldwin's "Sonny's Blues" Topic 6 James Baldwin's "Sonny's Blues" is an interesting tale of a lost soul, who finds his solace and ability to express himself through the art of music.

Guest, with its existential feel, is a Camus classic. The short story's setting is stark, as the author's words evoke the Algerian desert in the midst of a snowstorm. Sweeping landscapes of desert winter and stark, unpopulated terrain are part of what makes "The Guest" a story about isolation. However, the protagonist, Daru, has chosen to live here as a teacher. His only contact with the outside world seems

Balducci, a soldier who Daru knows, approaches with an Arab prisoner. Balducci's government papers give custody of the prisoner to Daru, who must now take him to the French jail in Tinguit. Upset, Daru wishes to refuse. He does not want to become involved. Balducci likewise does not want to be in the lawmaker role. "You don't get used to putting a rope on a man even after years of