C.E., is an outstanding example of "the sedate, idealized manner now recognized as Augustan," a reference to the Roman emperor Augustus of the early Roman Empire period. Thus, this marble statue symbolizes Augustus "proclaiming a diplomatic victory to the citizens of Rome" (Kjellberg, 1968, 245). Artistically, it is of the highest quality, much like the Doryphoros, and was probably executed by a Greek artist which explains why it is somewhat similar

Roman art was oriented towards realistic depiction of the features, copying exactly the physiognomy, without embellishing the emperor with perfect god-like features in order to make him appear divine, instead of human. The sculpture displays features that were obviously faithful to the real model: the thin lips, the peculiar shape of the nose, the expression lines across his forehead and around his eyes, revealing age and concern of a man

Greek and Roman History The Greek and Roman civilizations each played an important part in shaping the history of today. It is interesting to look at these two cultures and the major contributions of each. Greek History The Greek civilization was defined in the 5th century BC by the Golden Age. Athens was home at this time to "statesmen such as Pericles, Solon and Lycourgos. Pericles, who lived from 495 to 429 B.C., was responsible

Greek Sculpture A Timeline of Greek Sculpture Polykleitos, Doryphoros (early fourth century BC) As Paul Johnson (2003) records, this ancient example of Greek classicalism "epitomizes a canon of male beauty embodied in mathematical proportions" (p. 63). Showing the perfection of contraposto, Doryphoros (or the spear-carrier) is a balanced representation of the body's muscles. Polykleitos, a contemporary of Phidias, had his own school of young artists, which carried on into the third century BC.

Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery and gem engraving. Greek architecture relied on two main styles, namely the Doric and the Ionic. The names were given by the Ancient Greeks themselves, who believed that these architectural styles were derived from the gods (Chase: 122). Ancient Greek art has survived most successfully

"The Greeks studied the movement of the body, how weight is carried, and how a shift in stance could affect the placement of limbs, torso, and head. After 480 BCE, the first marble sculpture displaying the qualities of 'contrapposto," or weight shift, appeared in the Kritios Boy" ("Classical Greek Sculpture: Background," Greek Sculpture, 1998). This is why classical sculptures are more atomically naturalistic. This is particularly evident in the