To Gatsby, this was the biggest failure and he was not willing to accept defeat. Though he finally realizes that Daisy's enticing voice-that "low, thrilling" siren's voice with its "singing compulsion" (p.14) that "couldn't be over dreamed" (p. 101) was actually nothing "full of money." (p. 127). The dreams of his future were the dreams that sustained Gatsby. "For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy's wing." (P. 105)
The story is simple to read and follow. But underlying themes are more important than the obvious plot. The story reveals the tension of social class and capitalism that had started with the accumulation of wealth by industrialists in 1920s America. This was a massive time of dramatic changes for the United States and social class system had become very pronounced just like it had once been in Britain.
Jay Gatsby had become aware of this difference and this is what had almost killed him in his pursuit of wealth. All the time when he thinks he is pursuing Daisy, the truth is that he is pursuing that elusive dream called the American Dream. He is chasing something that even he is not aware of and he only symbolizes it with Daisy. Attaining Daisy would have meant attaining that elusive dream and when he is unable to do that, it literally brings an end to his life.
The extent to which a person would go to attain something is clear from this story. But Gatsby is not sure what he wants. Had he been clearer, he could see that Daisy was not his dream, she was only a symbol of what he had wanted like a fancy car and a mansion. But unfortunately he fails to understand the difference and is tricked into killing someone just for the sake...
American Lit Definition of Modernism and Three Examples Indeed, creating a true and solid definition of modernism is exceptionally difficult, and even most of the more scholarly critical accounts of the so-called modernist movement tend to divide the category into more or less two different movements, being what is known as "high modernism," which reflected the erudition and scholarly experimentalism of Eliot, Joyce, and Pound, and the so-called "low modernism" of later
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