¶ … Great Gatsby: A World of Illusion
The 1920s were a time of change for America. The war was over and America was ready for some fun. The poor lived in a world of little opportunity and destitution, while the rich threw lavish parties in exquisite gardens. These parties were portrayed in magazines and the lives of the rich and famous were everywhere. These glimpses into the lives of the rich provided food for fantasy in the minds of those less fortunate. They wanted to be like them and to have all of the material things that symbolized their fortune in life. However, behind this public image of grandeur was a corrupt world built on deception and deceit. Greed was the master of destiny. The contrast between the "American Dream" and reality is the central theme of the Great Gatsby. Gatsby represented the ideals and attitudes of an era. He stands for ideals common to humanity, and is not limited to the scope and time period of the novel. In this way, The Great Gatsby should be classified as a modern myth, not simply as a piece of period fiction. The following will demonstrate that the Great Gatsby has all of the elements commonly found in classical mythology and will use the theme of illusion to support this thesis.
Often, people aspire to be something that they are not. They may see another person, whom they admire, or a famous public figure and wish that they were like them. Sometimes they may do this because they are unhappy in their own existence, or because they want more. Little girls dream of being Princesses and little boys of being Kings. Human dreams of grandeur have remained the same since the beginning of time. However, if one actually were to explore the private lives of public figures, they would find that their lives are as filled with problems as our own, and at times may even be worse. Princess Diana was a good example of this. When you think of Lady Diana, you might picture the image of a beautiful princess riding away with her prince in the royal carriage to live happily ever after. But history would reveal that the illusion was quite different from the reality. Her marriage to Prince Charles was filled with unhappiness, and rumors of an affair. Yet, they still appeared as the happy storybook couple and were able to keep up this "public face" for quite some time, undiscovered. In the same way, the Great Gatsby is a critical look at the "American Dream" and the corruption and deception that lies behind the scenes. It portrays the American Dream as an illusion, behind which lies corruption and greed.
In her essay, Scott Fitzgerald's Criticism of America, Marius Bewley, describes Gatsby like this, "a romantic baptism of desire for a reality that stubbornly remains out of his sight" (Bewley, in Mizener, p. 127). Gatsby represents our dreams and aspirations that are always just out of reach, yet we relentlessly pursue them, rather than accept our current lot in life. The Great Gatsby can be compared to the heroes of the Norse Sagas and other myths. They did not represent a real person, but instead represented an idea. For instance, Aphrodite stood for love and King Arthur for honor and loyalty before all else. Moby Dick pitted the ultimate good, Captain Ahab, against the ultimate evil, the Whale. These characters personified an abstract ideal. This is the same idea that embraces the Great Gatsby. Like these other heroes, Gatsby is the personification of the idea of the "American Dream" and does not represent a single person. He can be called an American Icon. However, he never actually existed, so that makes him a myth.
Gatsby is similar to other mythological characters in another aspect; he has no private life. Everyone wants to know what he is doing all the time. This is one of the major characteristics of a mythical creature. Many of the people whom we look up to have the same situation. It is difficult to picture Arnold Schwartzenagger going to the grocery to get a loaf of bread. Even if we could imagine that, we would envision him as getting a very expensive, gourmet loaf of bread, not ordinary sliced white bread. This is the illusion, which differs from the reality. In our minds we picture him in his mansion in Hollywood, while his servants...
Gatsby had built up this incredible illusion of what Daisy really was, and had gone off the deep end in throwing himself after her. Weinstein (p. 25) quotes from pages 102-103 of the novel: "There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion." It is typical of Fitzgerald to
However, his single focus on getting Daisy's green light, something he cannot have, creates a motive of greed in Gatsby that he is unable to control and eventually destroys him. For example, Nick talks of Gatsby's idealization of Daisy by saying: "There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault but because of the colossal vitality of his
Great Gatsby And Sun Also Rises Both F. Scott Fitzgerald's The Great Gatsby and Ernest Hemingway's The Sun Also Rises depict the American psyche in the aftermath of the First World War. Although The Sun Also Rises is set in Europe, many of its main characters are American expatriates who seek fulfillment unsuccessfully through partying and sexual affairs. Similarly, the characters in The Great Gatsby seek stimulation through romantic relationships but
Gatsby loved Daisy when the two of them were very young, but believed that the only reason she rejected him was because he was poor. Unlike Nick and Daisy, however, all of Gatsby's wealth is new, won by ill-gotten gains. His recent status as a man of great social standing is only an appearance of reality, not reality itself and the 'old money' of West Egg will not accept
He is so enraged by the way she died, with the driver not even stopping to try to help her, that he determines that God wants him to kill the driver. If this event had not happened, George would have known that murder for any reason was wrong. George, however, has been blinded by grief. In the end, all the characters have demonstrated moral ambiguity. Gatsby has made his money
So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end (Fitzgerald 104). Nick's description of Gatsby's facade reveals that in Gatsby's attempt to acquire the essence of the American dream, he had to sacrifice himself and create a new identity. As such, an aura of sadness and loneliness lingers about Gatsby's existence
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