Graphic Design
The objective of this work is to examine the knowledge needed by the graphic designer both historically and in today's modern world.
Swanson (2010) writes in the work entitled "Graphic Design Education as a Liberal Art: Design and Knowledge in the University and the 'Real World'" states "Though hardly homogeneous, the vast majority of graphic design programs, whether in vocational schools, art schools, or universities, are, at least in concept, vocational training programs." (p.3)
The Composition of Graphic Design As A Liberal Art
Swanson examines what graphic design would entail as a liberal art and states that it would take various forms. Swanson states specifically that design should be
"…about the relationship of form and communication. It is one of the fields where science and literature meet. It can shine a light on hidden corners of sociology and history. Design's position as conduit for and shaper of popular values can be a path between anthropology and political science. Art and education can both benefit through the perspective of a field that is about expression and the mass dissemination of information. Designers, design educators, and design students are in a more important and interesting field than we seem to recognize." (Swanson, 2010, p.5)
II. Design Scholarship
According to the work of Swanson there is presently "no clear role for design scholarship. Traditional fields of scholarship are stated to have subject matter of their won although design scholarship does not and this makes it difficult to identify models for this approach as design "in practice, exists primarily in response to an externally generated need or situation." (Swanson, 2010, p.5) Richard Buchanan, chair of the Department of Design at Carnegie Mellon is noted to have stated: "subject matter for the designer is an indeterminate problem, made only partly determinate by...
Other graphic designers work at design studios. These designers generally focus upon design and visual brand strategies and create "logos, brochures and packaging, design studios generally provide such opportunities in abundance. They typically provide clients with creative solutions for both print and the Web" (trade-schools.net). The next types of graphic designers are those who work for companies which have nothing to do with creativity or the arts. These companies are usually
Graphic Freelance Designer Design professionalism standards and ethics (Discuss how the use of copyrighted materials may or may not be a factor with the portfolio you are preparing and in following proper use guidelines.) Professional designers aren't entitled to take exclusive credit for any design whose creation has involved collaboration between two or more designers (Crawford, 34). Further, professional designers aren't encouraged to accept projects which are likely to involve conflicting
As Moore and Anderson emphasize, "Another driver is that distance education students have as much right to expect effective library services as traditional on-campus students. Therefore, services have been enhanced to ensure easy access and equitable delivery of resources and services" (p. 384). Clearly, then, although the mission of many university libraries to provide the resources and tools students need to achieve successful academic outcomes has not changed in substantive
While it is not always used during times of war, propaganda was used extensively by both the Allied and Axis powers during World War II. The research also showed that although propaganda can assume a wide variety of forms, including print and motion picture media, one of the most cost-effective and popular approaches used by propagandists in the United States, the United Kingdom, Japan, Germany and the Soviet Union
role did graphic designing play in the 1960s in popular culture? The ability to transfer an idea, concept, theme, or notion from the abstract depths of one's mind onto the rich whiteness of a canvas is indeed, a unique one. It is a gift that one is born and blessed with. The capability to sketch, draw and paint has been a part of human civilization since the dawn of time.
Typography Design Taking a lead from the typeface named Matisse ITC, a typography-based design was created with the broad-brushstrokes, primary colors, and dominant white space that characterized the gouche paintings and cutouts created by the artist Matisse. The central theme is of a ski hut on the night of a full moon, with evidence of children playing in the snow left over from the day, and the cold clear starlit night
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