Art through the Ages
1. (Ch. 27) What is the interpretation of Goya's Saturn Devouring his Children?
The interpretation of Goya’s Saturn Devouring his Children is based on the myth of Saturn who feared that his children would overthrow him, so he devoured them one by one to avoid that risk. Goya lived many centuries after this ancient myth of antiquity originated. However, his own contemporary situation reflected the old myth in terms of the way the powerful rulers of the time were frantically lashing out, trying to preserve their own power by destroying the least possible threat. The wild-eyed and frenzied look of Saturn in Goya’s painting, produced between the years of 1819 and 1823, reflects what was happening in his own time. The effects of the French Revolution had spread throughout Europe and Spain had gotten to enjoy the Napoleon’s conquests. Goya’s painting reflected the insane frenzy for power.
The Protestant Revolution had led to wars throughout the Continent over the previous two centuries (Laux). The French Revolution had led to immense bloodshed in an attempt to instill a new order based on Reason (Holsti). Napoleon had invaded country after country in response, and the Spanish Inquisition was trying to root out crypto Jews to protect the country and the Church from (Elliot; Roth). In short, there was chaos, suspicion, carnage, and revolution everywhere. Goya was reflecting that reality with Saturn symbolizing Europe eating its own children in a crazed effort to save its own life. The image is disturbingly haunting and rightly so. The times in which Goya lived were not easy for anyone.
2. (Ch. 27)) How does the work of Goya relate to artistic movements of the eighteenth and nineteenth centuries? Use examples to support your writing.
The Baroque period followed the period of Renaissance art. During the Renaissance, Christendom—i.e., the West aka Europe—was one: united in one faith, though consisting of several states. At the end of the Renaissance, a period in which the humanist style was popular, the Protestant Reformation and Scientific Revolution occurred. Europe broke apart as religious wars were followed by new doctrines and worldviews throughout the Continent. The Enlightenment and the Age of Romanticism followed. The Baroque...
Four men stand out as the penultimate figures of Post-Impressionism, namely, Georges Suerat (1859-1891), Paul Cezanne (1839-1906), Paul Gauguin (1843-1903) and Vincent Van Gogh (1853-1890), all of whom at first accepted the Impressionist methods and then moved away from it toward a new type of painting. In the case of Cezanne, the basis of his art had much to do with studying nature in a new way, for his aim
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