Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (paragraph 7). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the Big Bad Wolf, or the evil stepmothers (and/or stepsisters) that fix on Snow White, Sleeping Beauty, Cinderella, and other innocent young female characters as prey. And Connie at the end of "Where Are You Going, Where Have You Been" wishes, like Little Red Riding Hood, Snow White, Cinderella and others, to be rescued in the nick of time from evil; rather than be forced to succumb to it.
Essay 3: Whose Metamorphosis?
Once upon a time, according to Franz Kafka, in perhaps his greatest work the short story "The Metamorphosis," a dull-but-diligent; fastidious-to-a-fault Czech bureaucrat named Gregor Samsa becomes a huge black bug, overnight:
Gregor Samsa... discovered that in bed he had been changed into a monstrous verminous bug. He lay [sic] on his armour-hard back and saw... his brown, arched abdomen divided up into rigid bow-like sections... The blanket, just about ready to slide off completely, could hardly stay in place. His numerous legs, pitifully thin...
A flickered helplessly before his eyes. (Part I, paragraph 1)
The real problem, Gregor's lazy family soon realizes, is not that Gregor is a bug; but that Mama, Papa and sister (Grete), might actually have to work! One bad day, Papa throws apples at Gregor because he is still a bug; and Papa kills him. Alas, Mama, Papa, Grete must go earnestly to work, forever. They (eventually) trudge sadly out of their long lived-in cocoon (apartment) and board a train together. Emerging from a long tunnel of psychological gloominess into amazingly bright sunlight, liked just-metamorphosed butterflies; Papa, Mama, and Grete feel pretty good about life, to their enormous surprise. They have undergone their own metamorphosis; Kafka implicitly suggests; albeit more slowly than had Gregor; but in the end, one much better. And they live (and they even work!) happily ever after.
But much else actually happens (according to Kafka) before Mama, Papa, and Grete can finally manage to emerge from their gloom into today's bright sunny happiness. First and most importantly, they must grow used to Gregor's unemployed status (and so, with even more difficulty...
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