The actor, Joe Nakashima, is simply listed in the credits of the film as "Old Hawaiian Man," and, like the Ula character, is simply used by the filmmakers as a tool for comic relief.
This desultory treatment is nevertheless emblematic of how the vast majority of the native Island characters are depicted in the film. Unlike Henry, Lucy, and Lucy's family, we never get a real image of their intimate, emotional lives or the circumstances of their lives. They are simply there for the entertainment - and service - of the European-American characters, who are the real protagonists of the film.
This is easy to see when evaluating the occupational roles that the characters in the film fill. At the center of the movie, of course, is Henry Roth, who is a veterinarian - a white-collar profession that requires a high degree of education. The Islanders, on the other hand, are largely portrayed as servants. Chief among these is the restaurant staff, but also the police officer who appears near the end of the film to give Lucy a ticket for an expired license plate - an event that makes her realize that something in her life is amiss. Nick (Pomaikai Brown), the obese, greasy cook in the restaurant, is the prototypical emasculated male ethnic stereotype. Despite his weight and strength, he is controlled by Sue (Amy Hill), the stereotypical Island matron who runs the restaurant and serves the clients.
Finally, 50 First Dates makes use of gender stereotyping as a means of comic relief. This is most evident at Henry's work, where he is assisted by Alexa (Luisa Strus), a gender ambiguous individual from Austria. One day at work, when confiding her sexual frustration, Alexa offers herself sexually to Henry. Henry's response to her is that he is not into guys.
Later, when Henry is in a restaurant on a date, he decides that he is not interested in having sex with the horny tourist. He suggests that Alexa, who happens to be sitting at the bar, might be a better choice. "But isn't that a woman?" his date responds. Cue the...
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