¶ … Franklin's Tale as early women's rights lore
The Canterbury Tales tell of the journey that a group of 29 people make and the tales they tell along the way. The people in the story are all as important as the tales they tell and of all the tales we have read so far, The Franklin's Tale is the one that portrays women in the most favorable light.
The Franklin's Tale is Chaucer's way of telling society that there can be equal footing in a marriage and that women indeed can be honorable and trustworthy. Compared with the women depicted in the other tales we've read, the leading lady of the Franklin's Tale shows that there is a good side to women.
In the Prologue of The Canterbury Tales, the reader is introduced to the travelers, but most prominently described is the Wife of Bath, perhaps with the purpose of discrediting her and her story of women's rights. It is the Wife of Bath who tells women that they should indeed strive to rule over their husbands -- after all, the Wife of Bath has had several -- and that they should do it however they are able.
However, Chaucer notes that it is far more important to judge the story rather than the storyteller, but in the case of the Wife of Bath, her story is an absolute reflection of who she really is and what she may -- and what she thinks other women -- truly desire.
Although no one in The Canterbury Tales gets it right as to how noble women can really be, there is only one tale that comes close to portraying women without bias. And while the other tales we've read tell of deceit on the part of the woman, it is in the Franklin's Tale that we see how there can be a chain of honor, whereby if one does something good, it begets another good deed and then another.
In The Franklin's Tale, we are introduced to Dorigen, truly in love with her husband, Arviragus, who is sent away for two years, and who is willing to do anything to be reunited with him, including surrendering her honor by submitting to the advances of another man.
It is the only marriage among the tales we've read, including those of The Clerk's Tale, The Knight's Tale, the Merchant's Tale and the Wife of Bath's Tale that survives despite terrible odds on the basis of mutual respect. Except for one outside event -- the separation of Dorigen and Arviragus for two years -- this is a successful marriage that is on equal footing.
Dorigen and Arviragus meet and fall in love. In their union, neither husband nor wife is master or servant. But after a short period of time, Arviragus is sent away on a business trip to Britain for two years. Dorigen cries non-stop since his departure and she is rarely cheered, not even by the many letters her husband sends to her during his time away.
She would walk along the cliffs by the ocean and think about the passing ships that entered and arrived at the rocky seaport. Dorigen worried that if her husband were to return, that the rocks would be too treacherous to maneuver and he and his ship would perish, sinking into the vast ocean.
In the meantime, her friends would have garden parties to wile away the hours and at one of these soirees, Dorigen met Aurelius, who could barely hide his unrequited love for Dorigen. They had already known each other from years before and Aurelius felt his love was stronger than ever for Dorigen.
Dorigen tells Aurelius that, yes, she would be his lover on one condition. He must find a way to do away with the rocks on the shoreline. While he knew this would not be possible for him, Aurelius searched for a scientific expert who could perform this act. He came up with a smart con man of a law student who knew how to make it appear as if the rocks had been removed. The illusion would create the impression the rocks were gone for roughly one week's time.
The young man asks for one thousand pounds to perform the bogus task of removing the rocks off the shore of Brittany. Dorigen was not happy about the completion of her "impossible" task and now knew she would have to have sex with Aurelius as promised.
Dorigen contemplates suicide, having known others who were faced with the situation of giving themselves to other men.
When Arviragus safely...
The Bible, he argued, cites the creation of Eve for Adam as proof that a wife is man's support, as well as many other examples of humble and devoted wives. The knight told his brother that he desired a young wife, who was no older than thirty, for she would be more pliable. Placebo cautioned that it takes great courage for an older man to marry a young woman (Classic
The destination is a holy and venerated site, one that should inspire devotion, a spirit of penance, and peace; and it is fitting that a merry man should be the one to invite the other pilgrims to the game of the telling tales. Unlike Dante's pilgrimage through the afterlife, which tends toward a much more spiritual focus, Chaucer's pilgrimage is earthly in the sense that its main focus is on
Franklin's Tale from the book the Canterbury Tales At the end of Geoffrey Chaucer's The Franklin's Tale the author asks, "Which seems the finest gentleman to you?" Although all the characters demonstrate chivalrous behavior, all except one has ulterior motives behind their actions, and that person is the magician. Dorigen loves her husband deeply, yet her immature nature imposes on all those around her. She is so distraught when Arveragus leaves,
Thus, the notion of ruler ship in marriage is actually an orchestrated ideological shift in the hands of Chaucer the writer, as notions of marriage and change from the point-of-view of the miller, the Wife of Bath, to the Franklin. Even in the more singular voice of Marlowe, the poet acts an intrusive rather an impartial narrator of the tale of "Hero and Leander," as he utilizes a number of
Her prologue is like a bold challenge to the knight in her company. She anticipates Shakespeare's Katerina in the Taming of the Shrew. Just as Katerina challenges Petruchio, so too does the Wife of Bath appear to be challenging the only true man she has likely ever met: one who is in command of himself and thus able to command others. She is like the ermine in Leonardo's painting
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