According to McDermott, this direct lineage and relationship that both novels owe to Faulkner is tremendous. The murder of Homer is a flashback and a continuation of Emily's dysfunctional relationship with her father. Just as she later holds onto Homer's corpse, she also refuses to let her father's corpse go for three days. Although both male figures dominate her, she can not let them go. Her aberrant grieving for her

Emily Grierson and Ambrose Bierce In works of fiction, traditionally the sympathetic characters do actions that are heroic and those that are supposed to be unsympathetic perform actions that are decidedly less so. Given that humans are very judgmental creatures, authors have tried to change reader perceptions by providing plots where characters that may perform unspeakable acts are arguably the most sympathetic creatures in the piece. It is difficult to see

" (the Kenyon Review, pp. 285) Faulkner uses some common themes in most of his works including the aforementioned conflict. He frequently employed the literary devices of symbolism, foreshadowing, anti-narrative etc. To create desired atmosphere and to achieve maximum desired results. His style appears complex to many as Clifton Fadiman writes, "[Faulkner's method is] Anti-Narrative, a set of complex devices used to keep the story from being told... As if a

Faulkner's "A Rose for Emily" William Faulkner's 1930 short story "A Rose for Emily" is about the sudden death of a town's most prominent old woman; the last remaining person who had experienced the American South before the American Civil War. She had the memories within her of a period of white domination and black subjection, which is mirrored in the relationship she had with her handyman. Money was power. Even

Faulkner utilizes many techniques in setting up this mystery and one is imagery. The images associated with the house are ones that conjure up visions of death. For example, we read that the house had "a big, squarish frame house that had once been white" (Faulkner 452). It had once been on the town's "most select street" (452) but now it was doing well to lift its "coquettish decay

Rose for Emily," which was authored by William Faulkner in 1930 and "The Yellow Wallpaper," that was written by Charlotte Perkins Gilman in 1892, both are intimate stories about women living in their particular times in the United States. In addition, both provide true insights into what it was like as a female living during these historic times. However, the styles of the two authors make the stories very