Verified Document

Fine Arts Los Angeles Fine Arts Building Essay

Fine Arts Los Angeles Fine Arts Building

"Form follows function" may be a cliche nowadays, one that's parroted in chic commercials for high-end, luxury sedans, but at some point, before the phrase devolved into a catchphrase for Cadillacs, it had real meaning. The architects who designed and built the Los Angeles Fine Arts Building knew what it meant, and they applied that philosophy to their stunning 12-story masterpiece in the city of angels. That is to say, the design of the Fine Arts Building not only enriches the architecture, but it gives voice to the activities of the building's original tenants (Several, 1999). It is the purpose of this paper to discuss the elements of architectural style in the Los Angeles Fine Arts Building.

But first, here is a brief history of the men behind the masterpiece. The Los Angeles Fine Arts Building was designed by the acclaimed duo of Walker & Eisen; that is Albert R. Walker and Percy A. Eisen. It was built in 1925, during the roaring twenties, a time of unprecedented urban growth and construction, and is located at 811 West 7th Street in downtown Los Angeles. The Building was designed to be more than just a building, but a cultural Mecca for artists, bohemians, and other visionaries of Los Angeles (Several, 1999). The ultimate goal of Walker & Eisen was to create an ideal place (one that was a work of art in and of itself) where people could create, showcase and enjoy art.

The first thing one notices about the Fine Arts Building is its Romanesque style. Even if one doesn't know the term "Romanesque" he/she knows that this building is different. This building is not created equal. It's clear, given its context,...

Parts of this document are hidden

View Full Document
svg-one

The carefully wrought, semi-circular, two-story arch of the facade tell the visitor that he/she is about to experience something special.
Upon closer inspection, this sensation is only accented by the present but not imposing architectural sculptures on the building's exterior. On the terracotta arch itself the visitor is confronted by an array of different stylized birds, griffins, gargoyles, and flowers. On other parts of the facade there are sculptures of flute players and other assorted fantastic creatures (Several 1999). It can be argued that this attention to detail is not something a resident of Los Angeles is used to seeing manifested in local architecture.

These details continue on. Both as one looks up the towering edifice and as one prepares to enter its mouth. There are two large terracotta figures representing "Architecture" on the viewer's left and "Sculpture" on the viewer's right, both of these sculptures lean into the ledges on the third story. The inimitable Burt Johnson was commissioned to create these beauties. As one's eyes continue up, there are two nude figures perched on 9th story ledges and two 12' high panels titled "Inspiration" mark the 12th story (LA Conservatory).

As one enters the Fine Arts Building, there are more touches of Burt Johnson. That is, seventeen bronze figures line the foyer and the corridor, which eventually leads to, as it's been described, a "Spanish Renaissance 'courtyard' lobby with a galleried mezzanine" and fountain (Several, 1999).

To say that the lobby is spectacular would be an understatement. However, before…

Sources used in this document:
Works Cited

Several, M. (1999, November). Fine arts building background information . Retrieved

from http://www.publicartinla.com/Downtown/FineArts/background.html

Los Angeles Conservancy Tours. (n.d). Los Angeles Fine Arts Building. Retrieved from http://www.laconservancy.org/tours/downtown/fine_arts.php4.

Vincent, R. (2008, May 27). Fine Arts Building Los Angeles Attorneys to Do Justice to Fine Arts Building. Los Angeles Times. Retrieved from http://articles.latimes.com/2008/may/27/business/fi-attorneys27.
Cite this Document:
Copy Bibliography Citation

Related Documents

Fine Arts & the K-12
Words: 9437 Length: 30 Document Type: Essay

Thus, we assume that children gifted in the arts are every bit as intellectually endowed as those with academic gifts. The relationships among giftedness, talent development, and creativity are challenging areas of research. Because researchers lack consensus about what constitutes creativity itself, progress in developing operational definitions of "creativity" has been slow (Clark & Zimmerman, 1992-page 344; Csikzentmihalyi, 1996; Hunsaker & Callahan, 1995-page 2). Although some scholars agree that creative

Fine Art Line Is One
Words: 938 Length: 3 Document Type: Essay

The line that forms the corner of the wall behind her is much more definite and concrete, but it almost appears as though there has been an attempt to obliterate notions of line in the woman herself -- the folds of her clothes resist any distinguishability. The different uses of line by these two artists also show up in their simple geometry. In his self-portrait, Picasso uses almost no curved

Fine Arts
Words: 2567 Length: 9 Document Type: Research Paper

Henri Matisse Still Life after Jan Davidsz. de Heem's 'La Desserte' Henri Matisse was one of the great "colorist of the 20th century" and is one of Picasso's rivals in the area of innovations. Matisse is reported to have "emerged as a Postimpressionist, and first achieved prominence as the leader of the French movement Fauvism." (The Art Story, 2011) Matisse was interested in Cubism but rejected this seeking rather to use color

Graphic Design: Fine Art or
Words: 647 Length: 2 Document Type: Thesis

At this level, focus should be on meeting the needs of the graphic design industry. It is at the graduate level where intense discussion of theory should be developed. I agree with Frascara on this point. In most disciplines, such discussion is typically conducted at the graduate level. The average graphic design student can benefit from this work where applicable, especially if Frascara's proposed reference centers are created. One of

Mo Tzu and Fine Arts
Words: 2847 Length: 9 Document Type: Term Paper

Still, Mohist impact was considerable. The Legalists embraced the Mohists' authoritarian concepts. The Confucians and Taoists both acquired meaning and intensity from responding against Mohist rulers. And the universalistic social vision of Mohism helped motivate comparable propensities in later on, post-classical Taoism. In addition, Chinese reformers of the nineteenth and twentieth centuries, typically discovered Mozi an interesting exemplar of the committed social reform (Kirkland, p. 4-5). The idea of reform

Internet and Fine Art What
Words: 2084 Length: 6 Document Type: Term Paper

," goes on to say that one gallery almost sold all of its prints and a rival site also took 100 orders for prints. (Selling, 1) Also, in the second article cited, "Art and the Internet," an article found in BusinessWeek on 24 January, 2001, it claims that only 2% of international art sales, valued at $7 billion, are actually well-known and sold in public auctions with the help of the

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now