Breathless: French New Wave Cinema and Acting Technique Traditionally, acting has always been regarded as a 'craft.' Acting in the theater requires understanding certain modes of presentation such as breath and movement, to communicate the actor's intention to the audience. Film, however, is often called a director's medium, because the director can select what snapshots of life he or she wishes to show to the viewer. Film is also a more

Breathless in the face of Godard's Sharp and Fragmented Vision of Filmed Sexuality all these things, at first sight...are obstacles to conventional smoothness and logic. Yet they are perfectly efficient in the sense that they crate an impression of confusion, flight, fear, restrained violence, imminent danger, etc., while staying within the bounds of possibility...The editor [Godard] is saying, in fact, "the habitual idea of screen continuity is merely an illusion

Films and Directors of the French New Wave Movement Discuss the male/female relationship in the Umbrellas of Cherbourg, My Night at Maud's, Le boucher Shoot the Piano Player regards to the Nouvelle Vague. La Nouvelle Vague, or the "New Wave," is a term given by film critics in the late 1950's to a cluster of French filmmakers who began a movement that rejected classical cinema to introduce new perspectives of romantic youthfulness.

French New Wave French cinema, by the time the second world war ended, was faced with a crisis fittingly summarized by posters that advertised Mundus-Film (distributors for First National, Goldwyn, and Selig). These posters implied that the cannon operated by America's infantrymen launched film after film targeted at the French. La Cinematographie francaise (soon to become the leading French trade journal) claimed that every week 25,000 meters of film imported