Virginia Woolf and Her Works as Mediums of Feminism
Virginia Woolf was among the rare writers who have put their talents and ideologies into writings, particularly as a patron of equality to women. Considered as one of the founders of feminism, there were quite a number of literary works that show Woolf's passion for promoting feminism. Some of this includes the following literary masterpieces.
To the Lighthouse
A Room on One's Own (1929)
Three Guineas (1938)
Women and Fiction (1929)
Professions for Women (1929)
Much of Woolf's literatures depicted her strict criticism on how the society put little importance to the female gender. Also, she showed in the context of her works how prominent the female gender can play important roles in the society, both socially and politically. Much of Woolf's works have in fact depicted political thoughts that have endeared the hearts and minds of many readers.
The information written in the following pages of this paper will aim to explore how Virginia Woolf's works have influenced feminism. Included in the discussion are the ideologies and philosophies that she has embedded and conversed in many of her works. Moreover, this paper will aim to discover how the novels, essays, and articles of Virginia Woolf had furthered the feminist movement.
Virginia Woolf and her Influences in Feminism
There are so many reasons why Virginia Woolf has made an influence to feminism and most of those reasons can be seen from her literary works themselves. Aside from the individual personality of Woolf as a supporter of the female gender, her influences can be derived from her intelligence in writing her feminist philosophies that have captured and appealed to the belief of the masses. In general, how Virginia Woolf has influenced feminism and the feminist movement is caused by the following factors.
Virginia Woolf has great thoughts that regards to feminism and the feminism's important role in the society.
Virginia Woolf, who has the talent in writing, has put her great thoughts into writings that were basically one way of instantly disseminating information if one would want himself or herself to be heard; and Woolf did it through the novels, articles, and essays that she had written.
Virginia Woolf did not only excel in writing issues concerning feminism, but also in other topics that perhaps made her believable and admirable to people. Thus, her talent in the art of writing became a means for her views to be heard including feminism that has influenced many people.
Discussing further on the aspect of Woolf's talent in writing, that has been one of the reasons why her views and perceptions concerning feminism have created a big hit to the masses, can be proven by the following note about Woolf (Susan Dick).
She has been praised, for example, for her contribution to biographical criticism, for her emphasis on the importance of a writer's historical and social context, and for the ways in which she explores the art of writing itself, not only in the content of her essays but also in their form and language.
Further, Susan Dick, from an online article, indicated the following characteristic of Woolf's writings, proving the power of her art as a writer.
The form of her critical writing, mixing as it often does imaginative, fictional construction with more traditional discursive prose, has received increased attention in the 1980s and 1990s.
Woolf's wide knowledge of history has perhaps gave way to her criticisms that concerns the role of women in society. A few of her masterpieces, such as A Room of One's Own, Women and Fiction, Three Guineas, and the Professions of Women, have tackled issues on the living and work conditions of women as compared to that of the male genders (Virginia Woolf Online). Her wide perspective that history had brought her helped her assess numerous issues, both of the past's and the contemporary's. One example is the patriarchal form of education that excludes women, as well as that refuses to recognize the ability of women. In A Room of One's Own, Woolf had forcefully revealed this issue, wherein a female writer was metaphorically depicted to have the right of having money...
It would take an entire paper just to explicate all of the roles that women play today and how society has changed as a result. The point is that it has changed and that women play a much different role in literature today than they did even just a century ago during Woolf's time. Woolf saw just a glimpse into the social turn that has led to the present
Virginia Woolf's "A Room of Her Own": War, Independence, and Identity "[a]s a woman, I have no country. As a woman I want no country. As a woman, my country is the whole world" -Virginia Woolf The Chinese character for "crisis" is a combination of the words "danger" and "opportunity." It is often the case that when people are faced with hardship, they experience inward, mental, changes as a coping strategy to
The withdrawal into this room, away from the others, and the pleasant, cheerful view out of the window bring a sudden realization upon her: the death of her husband actually means freedom, the freedom to live for herself only and enjoy her own life. As in Virginia's Woolf book, Mrs. Mallard realizes the importance of a woman's having a room of her own, that is, her own private world
The giant who was once a demi-god suddenly becomes a devil's minion. This revelation rests within the woman's power; Virginia had no problem openly revealing George's impotence, failure in his career, and turn of temperament while Nora - admittedly a bit more gracious, though none the less cunning - did nothing to Torvald's immediate public image. The harm to Torvald would come later, when explaining why his wife and
In effect, because males became the model subjects for their experiments, male development was considered the normative kind of human development than those of women's. As the author contends, psychology and empirical studies about humans "have tended to regard male behavior as the 'norm' and female behavior as some kind of deviation from that norm...Thus, when women do not conform to the standards of psychological expectation, the conclusion has
Martha/Virginia Woolf Fleeing the Big Bad Wolf: Martha's Fear of Female Power in Who's Afraid of Virginia Woolf Edward Albee's play Who's Afraid of Virginia Woolf exposes the underbelly of a dysfunctional marriage that has reached the point of viciousness. George and Martha, the two main characters, are crippled with disappointment, both with themselves and with each other. Martha in particular has reached a point of utter despair, though it often masquerades as
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