Female Artists Who Worked in the American West
The subject of female artists working in the American West has often been overlooked due to pervasive Western male stereotypes. These stereotypical images include popular media overlays of cowboys, male hero icons and male activities. Yet, the environment of the American West has been the inspiration for many American female artists. One of these is the landscape photographer, Laura Gilpin. Gilpin's relation to the West and the connection of that particular landscape to her work is obvious from the following quotation:
What I consider really fine landscapes are very few and far between," Laura Gilpin wrote to a friend in 1956. "I consider this field one of the greatest challenges and it is the principal reason I live in the West. I am willing to drive many miles, expose a lot of film, wait untold hours, camp out to be somewhere at sunrise, make many return trips to get what I am after." (Women Artists of the American West)
Laura Gilpin's work was deeply concerned with and intimately related to the landscape and atmosphere of the South West. "No other woman in the history of American photography so devoted herself to chronicling the landscape. Others photographed the land, but none can be regarded as a landscape photographer with a sustained body of work documenting the physical terrain. (ibid)
In an assessment of her work it is important to mention that her approach to landscape photography differs in relevant ways from the approach of male photographers who documented the same subject. Essentially, the quality of her work brings sensitivity to the landscape, not just as an isolated object but in the way that the landscape related to and shaped the human activity of that environment. Her concern with the interaction between the landscape and human life was one of the aspects that distinguished her art from other photographers of the West, including Henry Jackson or Timothy O'Sullivan.
Gilpin's work provides us with a "peopled landscape with a rich history and tradition of its own, an environment that shaped and...
As an extension of the ethos of her landscape images another important aspect to her work were her photographs depicting the indigenous inhabitants of the West. Her portraits showed an acute sensitivity to the individual nature of her subjects. To a large extent it could be argued that Gilpin's work counters the stereotypical view of the native inhabitants of the region. Her work, in particular her portraits, run counter to the stereotypical notion of the 'fierce savage'.
The work of Gilpin and others reflected an interest in the domestic, the daily, the "real" American Indian behind the stereotype. Although tinged with placid romanticism and perhaps even tranquil pictorialism, such portrayals did preserve aspects of native cultures. Moreover, these representations of American Indians presented the public with the image of Indians as "deserving" of conservation, rather than the stereotype of fierce, threatening Indians who, in many people's minds, seemed to warrant extinction.
(Riley 163)
Gilpin is also cited as being one of the influences on modernist trends in photography. This refers especially to her individualistic feminist stance with regard to the environment and the importance of the relationship between people and the environment. "Laura Gilpin, whose Western landscapes are as essential to the formation of the modernist sensibility as those of Ansel Adams or Weston www.questia.com/PM.qst?a=o&d=5000387706" (Brayer 16)
Agnes Pelton
Agnes Pelton is a more contemporary artist working in a different medium and style to Laura Gilpin and with different artistic objectives. However, the two artists are similar in their use of the unique qualities and artistic attributes of the landscape and natural qualities of the West as a source of inspiration. Pelton initially painted in the conventional representational style but later developed a unique abstract style of her own, which included…
