¶ … fantastical voyage in Gulliver's Travels, Gulliver encounters a race of highly intelligent horses whose extreme rationality seduces the protagonist. Gulliver's increasing hatred for humanity becomes a dark vehicle for Swift's through satire of human nature. The Houyhnhnms embody Enlightenment ideals, as they are led by reason over emotion and essentially devoid of passion. However, the horses nevertheless exhibit prejudice in their treatment of the Yahoos and Gulliver. The Houyhnhnms represent qualities that human beings often blindly strive toward, and Swift shows that pure reason is not necessarily superior to the nuances of human emotion. Gulliver perceives the Yahoos through the Houyhnhnms' eyes, as horrible brutes. Because of their resemblance to human beings in physical and psychological makeup, Gulliver begins to despise humanity. Swift thus presents a paradox: Gulliver's perception of human beings is in many ways correct. However, his sweeping generalizations of human nature results in unproductive behavior. For instance, he refuses to be rescued by the kind Portuguese sailor. After being forced to return to England, he isolates himself from his family and retreats into his own world. Through the examples of the Houyhnhnms, the Yahoos, and of Gulliver, Swift uses Part Four of the book to elucidate and satirize the many shortcomings of mankind.
The voyage to the country of the Houyhnhnms begins with a mutiny. From the outset, this section of Gulliver's Travels denotes the disloyalty inherent in human nature. His crew resolves to become pirates, moreover, a profession that connotes immorality because it usually entails robbery and assault. The mutinous crew confines Gulliver to a cabin and sends him off to sea, an act of abject cruelty. Therefore, human beings are shown to be innately nefarious, selfish, and greedy. When Gulliver arrives on the Houyhnhnms' territory, he is besieged by Yahoos. At first, the animals do not seem human at all to Gulliver. They are described as being ape-like: they have hairy bodies and climb trees. Gulliver is totally repulsed by them: "Upon the whole, I never beheld, in all my travels, so disagreeable an animal, or one against which I naturally conceived so strong an antipathy," (Chapter One). Unaware that these are the same creatures that left the human footprints he saw, Gulliver attacks one of the Yahoos. As they all flee, Gulliver judges them to be cowardly.
In Chapter Two, Gulliver discovers that Yahoo physiology much resembles his own: "My horror and astonishment are not to be described, when I observed in this abominable animal, a perfect human figure." Only his use of clothing distinguishes his body from that of the Yahoos, and the horses judge Gulliver to be a different type of creature altogether. Like he does in many other parts of Gulliver's Travels, Swift pokes fun of the anatomy, physiology, bodily functions, fluids, and excretions of humans. Our very physical nature is satirized, in addition to our moral and psychological makeup. Furthermore, although the Houyhnhnms are horses and their physiology completely differs from that of human beings, Gulliver relates with them more than he does with the Yahoos, whose anatomy closely resembles our own. Here begins Gulliver's dissociation with his humanity and his denial of true human nature. Swift implies that human nature is a composite of the Yahoo and the Houyhnhnm: we are part brute animal and part enlightened and rational creature. Gulliver favors the Houyhnhnm nature because the Yahoos are physically and morally repugnant. But in doing so, he suppresses his true nature in an unhealthy manner. Swift demonstrates...
(Jonathan Swift's Religious Beliefs) Nowhere did Jonathan Swift show his capacity for satire than in his work, 'A Modest Proposal', for preventing the Children of Poor People in Ireland from Being a Burden to their Parents or Country, and for making them Beneficial to the Public. Jonathan mentions within this work, "the streets, the roads, the cabin doors, crowded with beggars of the female sex, followed by there, four, or
Swift's Gulliver's Travels 'My Reconcilement to the Yahoo-kind in general might not be so difficult, if they would be content with those Vices and Follies only which Nature hath entitled them," (Chapter 12). The narrator's words illustrate a universal aspect of human nature: the creation of an "us vs. them" mentality that at its worst leads to racism. In fact, Gulliver's voyage to the land of the Houyhnhnms contains elements of
Jonathan Swift and Alexander Pope mastered satire as a primary means of poetic communication. Swift's "Verses on the Death of Dr. Swift" is essentially his self-written obituary. With candid self-insight, Swift admits his flaws, his jealousies, his insecurities, and his egotisms. His characteristic tongue in cheek style belies the weight of the subject matter; he knew his death was immanent and at the most basic level wanted to pen
The primary reason for this is the fact that people like Swift's projector and various politicians like him are far too successful in manipulating language to their own advantage. While Orwell did not live in our day, he was truly a visionary and he is not far off the mark when it comes to politics and the power of persuasion. Swift reinforces this notion with his proposal, which is
Gulliver's Travels And Other Writings Jonathan Swift's "Gulliver's Travels and Other Writings" main idea is all about Lemul Gulliver and the journey he made to the land of the six-inch-high Lilliputians and the sixty-foot-tall Brobdingnafians' royal court. Go with the traveler to Laputa Island, a flying island, which is inhabited by people of great intelligence but not an ounce of common sense. Go with the traveler to the lands of Houyhnms,
Swift 'The Lady's Dressing Room" is an offhanded ode to women by Jonathan Swift and narrated by the Queen of Love. The poem basically describes the dressing room of Celia, seen through the spying eyes of her lover Strephon. Strephon has so idealized his beloved -- and all other women -- that when he realizes that she is a mere human being, he wretches. Finally he realizes, "Oh! Celia, Celia, Celia
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