The 2015 feature film Eye in the Sky addresses the ethics of modern warfare and specifically the use of unmanned devices like drones. In Eye in the Sky, the title refers to advanced surveillance drones that are used to monitor the actions of key terrorist targets. Using facial recognition, the drones help senior military officers from both Britain and the United States identify and track their suspects and plan targeted attacks. Moreover, the film shows how senior military officers perform quantitative risk assessments to minimize civilian casualties while pursuing overarching military objectives. One of the key ethical and legal issues Eye in the Sky covers relates to Constitutional rights and in particular, Fourth Amendment rights against unlawful surveillance. The film shows that Fourth Amendment rights may not apply to American citizens abroad. Eye in the Sky also shows that the war on terrorism and the USA PATRIOT Act have altered the legal interpretations of the Fourth Amendment. Cases like those depicted in the film clearly invoke the USA PATRIOT Act because of their impact on counterterrorism policy and the goals of the war on terrorism globally. In fact, even had the drones been used on American soil, the military would have been acting within PATRIOT Act parameters to collect intelligence...
The use of surveillance drones is not necessarily constitutional, but it does reflect the prevailing powers of the government to usurp Fourth Amendment rights in the name of counterterrorism. Otherwise, the government and the military need warrants to conduct this type of surveillance. The surveillance drones were infiltrating private property, and were being used without a warrant—clear violations of the Fourth Amendment. Yet at the same time, the surveillance drones were being used on foreign soil where the American Constitution does not apply or have legal grounds no matter how solid the diplomatic ties may be between the United States and Kenya. Americans in Kenya would have no “reasonable expectation of privacy,” unless Kenyan law provides a similar protection to foreign nationals (Sulamsy & Yoo, 2008, p. 1224). The reasonableness standard is also considerably more lax in matters involving national security (Sulamsy & Yoo, 2008).References
ACLU (2018). https://www.aclu.org/other/surveillance-under-usapatriot-act
Hood, G., Director, (2015). Eye in the Sky. Feature Film. Entertainment One.
Salamsky, G. & Yoo, J. (2008). Katz and the war on terrorism. UC Davis Law Review 2008(41): https://lawreview.law.ucdavis.edu/issues/41/3/intl-crime-terrorism/41-3_Sulmasy-Yoo.pdf
Political Issues Based on the Film "Eye in The Sky" In Which Government Attitude, Which Decides Who Lives and Who Dies for The Cause of The Nation Is Examined The film "Eye in the Sky" is somewhat a literal depiction of war fare between the drones. This is a flagrantly contrived film that examines the ethics of using remote control to kill. The subject was dramatized a year ago in Andrew
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
Psycho Three scenes from Psycho demonstrate the Master of Suspense's expertise behind the camera. The scene in which Marion pulls up to the Bates Motel in the pouring rain is replete with anxiety and introduces the film's main setting and its characters, namely the Bates Motel and Norman. Lighting and mood are especially poignant in this early scene of the film. Next, the shower scene is probably the most famous murder
Eye in the Sky presents a bleak portrait of drone technology and calls into question the norms of global counterterrorism and warfare. Technological tools of surveillance allow for targeted operations, aimed at known terrorists. These tools entrench existing hegemonies of power. However much drones are celebrated for reducing the numbers of casualties in counterterrorism units while simultaneously targeting top terrorism suspects, the effects of the drone strikes can be devastating
Vanilla Sky -- It's All in His Head From first moment to last, the movie Vanilla Sky, produced by Paramount Pictures and written and directed by Cameron Crowe, offers a confusing physical landscape based on a confusing mental landscape. The viewer is never certain if he is viewing a dream or a waking reality or a warped psychological construct that might be a combination of waking and dreaming or conscious and
War Films Taking Jeanine Basinger at her word would leave us with far fewer war films than we think we have. Basinger is a 'strict constructionist,' accepting as war films only those that have actual scenes of warfare (Curley and Wetta, 1992. p. 8; Kinney, 2001, p. 21). That means that the four films that will be considered here, and especially the two World War II films, are not war films.
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