The almost un-human personalities of the two men both endear and detach them from the readers, maintaining a certain level of respect and awe while at the same time believing that like the readers, they are just human beings who have their own weaknesses (Dupin his poverty, Holmes his addiction to cocaine).
Apart from ethos, part of Dupin and Holmes' rhetoric in solving their mysteries was a discussion of the theories they formulated and applied in the course of investigating the case. Logos was apparent in the detectives' use of deduction, logical thinking, and the scientific method in looking for clues and solving the mystery presented to them. Their usage of stereotyping and pattern formation as their techniques for clue generation were the closest examples and illustrations of the concepts of deduction, logical thinking, and scientific method in Poe and Doyle's stories.
Dupin's solution to the murders at the Rue Morgue was based on a stereotype and pattern found in the facts available about the case. Pattern formation was apparent in his analysis of the witnesses' accounts of the events before, during, and after the murder. His discovery that each witness's testimony reflected the fact that "[e]ach likens it (the voice heard) -- not to the voice of an individual of any nation...but the converse," a point that led him to conclude that the murderer was of an 'alien' nature, someone who does not speak the language of any of the nationalities of the witnesses (133). Stereotypes pertaining to a ribbon commonly used by sailors on Maltese vessels gave way to the discovery of another suspect, the sailor who actually owns the orangutan (the murderer) (143). Holmes also relied on...
Severe (II). He speaks of Mr. Gore's "savage barbarity" (IV). He describes how slaves such as his mother die young, and lives like his own are wrecked by having families torn apart (V). He tells of how Mr. Auld did not want him to learn to read because "If you give a nigger an inch, he will take an ell" (VI). He tells how he wished he were dead,
Movie Trailer: Ethos, Pathos, & Logos The trailer for the movie Prisoners effectively uses ethos, pathos, and logos to appeal to its potential audience. It uses ethos by demonstrating brief vignettes of family life to help establish the character of the main characters in the movie, as well as showing the police officer, and the suspect in the abduction. It uses logos to demonstrate that the father's conclusion that the girls
Logos Appeal In any scholastic argument, Aristotle's logos appeal would prove most advantageous and be the most sensible. Arguments that base themselves on logos (known sometimes as logical appeals) entail proofs and assertions that confirm an individual's reasoning skills (Ethos, Pathos, and Logos ). Of Aristotle's three appeals, 'logos' appears to be the most scholastic; it forms a major part of all college-level writing assignments. In order to demonstrate that one has
These are the companies that begin in basements and garages when an entrepreneur takes a chance on his dream, or a worker decides it's time she becomes her own boss. They're companies like ARC Energy, which I just visited before I came here. it's a terrific -- (applause) -- there you go. A little booster. (Laughter.) However, decisions should not be based on emotions, but logic. Logos means to persuade
Wayne Booth is considered one of those principally responsible for the revival of the study of rhetoric, a skill that was valued by the Greeks in their debates and later re-visited by enlightenment-era neo-classicists. His concern for the matter couldn't have been more timely; the late 1950's and early 1960's saw the first televised debates (such as those between John F. Kennedy and Richard Nixon,) the popularity of shows such
Ethos, Pathos, Logos About the Author -- Ethos Thomas L. Friedman, the winner of 2002 Pulitzer Prize for commentary, used to work as chief White House correspondent. He then joined Washington Bureau as chief economic correspondent. In 1995, he was selected as the foreign-affairs Op-Ed columnist of The New York Times. His fabulous work made him win the Pulitzer Prize 3rd time for The New York Times in 2002. Later on, in
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