After the war, Hemingway found it difficult to establish himself. While his parents wanted him to get a job, he wrote. Hemingway discovered his style, which would eventually be known as his trademark. He used all of his personal experiences as inspiration for novels and stories.
Margaret O'Connor claims that the war becomes a:
Metaphor that tied his work to the international experience of his generation -- wounded, disillusioned youth seeking the healing powers of medicine, of religion, of love. Hemingway's veterans find no cures however, only temporary anodynes" (O'Connor 1388).
From this perspective, we can see portions of real life merging with fiction. Maxwell Geismann maintains that Hemingway is "essentially a poet, and a high romantic individualist, alienated from the world, and charting a dangerous course between glamour and despair" (Geismann 69). Love and life cannot help but intersect on the highway of life.
Hemingway married for the first time in 1921 and he and his wife moved to Paris where Hemingway could pursue a literary education. Many believe thee were Hemingway's most productive years. This environment influenced his material. Heinrich Straumann observes that Hemingway's work "helped toward a new interpretation of America... through the more concealed method of setting an American character... against a foreign background" (Straumann). In 1926, Hemingway and his wife separated and his life went in a new direction. The Sun Also Rises was published and a Farewell to Arms was published three years later. Clearly, love was the writer's muse. Other successful novels are for Whom the Bell Tolls and the Old Man and the Sea. In 1953, he was awarded the Pulitzer...
Ernest Hemingway The author Ernest Hemingway specialized in what is known as naturalistic writing. He tells the reader only the basic information about what is going on in a particular short story or novel. Much is told about the natural settings of the stories, but very little is given about the characters in his stories. Instead, the facts about the people, including their personalities and characteristics, have to be inferred by
Ernest Hemingway is considered by some as the greatest writer in American History, by those who do not consider him so, he is still considered one of the greatest American writers. While many have written articles and entire books on the subject of Hemingway, one need only read his books and short stories to understand the man. Hemingway's writings are a window into his soul and very often mirror happenings
The conflict is real and it is too big for him to tackle on his own, so he shuts down and checks out emotionally. Another story that deals with inner conflict is "Now I Lay Me." This story is completely internal and it becomes the narrator's way to keep from losing his mind as he fights insomnia. He is suffering from shell shock. The conflict is the narrator's inability to
Either way, what they shared is gone. The interesting thing about this story is the boyfriend's inability to see things from Jig's point-of-view. He does not have to deal with the emotional aspect of abortion, so he can say things like, "It's not really an operation at all" (Hills Like White Elephants 1391). The nameless man is selfish and a liar because he tries to convince Jig "It's really
Ernest Hemingway's "The Sun Also Rises'" and World War I Initially printed in 1926, The Sun Also Rises turned out to Ernest Hemingway's first huge success. Not more than ten years after the end of World War I, the novel found a way to define what his generation was like: young people that were disillusioned whose lives were deeply touched by the war. Not even Hemingway himself was any kind of
Life sucks and then you die, is a popular saying among Gen-Xers to describe the futility of it all. The phrase may be original, but the sentiment certainly is not. Long before Generation X came on the scene, Ernest Hemingway was writing about heroes who faced the harsh unfairness of finite life with dignity and grace. This "grace under pressure" became known as the Hemingway Code. Hemingway scholar Philip Young explains
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