Adams, Primrose and Yorick: A Comparison of 18th Century Church of England ClergymenOne of the clearest features shared by Fielding's Adams in Joseph Andrews, Goldsmith's Primrose in The Vicar of Wakefield, and Sterne's Yorick in A Sentimental Journey through France and Italy is relentlessness that the characters demonstrate, as though by sheer force of will they may manage affairs to a happy conclusion. In spite of their sometimes obtuse qualities, their evident pride in themselves, their naivete, their innocence, their ability to bungle their way into all manner of episodic conundrums, their resolute good humor through it all ensures the reader that whatever grace they do possess will be sufficient to make all well by the end of the narrative. Such is true of all three clergymen, and to the extent that all three clergymen represent the pastors of the Church of England in the 18th century, one could surmise that the preachers of English Protestantism were a well-meaning, if not somewhat aloof and self-absorbed, lot. This paper will compare the characterization of Adams, Primrose and Yorick and consider how realistically they represent Church of England clergymen from the time period of 1730 to 1780.
By the 18th century, England had metamorphosed from an entirely Roman Catholic country, as it had been a quarter of a millennium earlier. In 1701 the Act of Settlement held that the English monarch must be a Protestant. And wars against the Catholic Spanish monarchy continued (Roberts 4). England's identity as a Protestant, with its king as head of the Church of England, was secured. In 1727, King George II ascended the throne, second monarch of the House of Hanover (whose dynasty would last for nearly 200 years). And thirteen years later the now famous "Rule, Britannia!" would be penned by James Thomson and scored by Thomas Arne (Fuld 477). The British identity from this point on would be fused with a righteous spirit of fight, mastery, pride, self-determination, glory, and unwavering ability. It would be complete, relying on no foreign bodies (such as the Roman authorities in religious matters), its ships would rule the waves, and its colonies would be a source of wealth. England viewed itself as refined, mannerly, educated, moral, and absolute -- and all of this would be imbibed and projected by the Church of England clergy during this time.
Ironically, the writers Fielding, Goldsmith and Sterne do not take as sterling a view of the Church of England clergy as the clergy themselves were likely wont to take. While these authors do not come out and condemn straight off the antics, demeanor, character, or activities of this class, they do take the opportunity to playfully rib, satirize, and spoof the "fine" gentility of these often country parish types who are so confident in their sense of what is going on, knowing right from wrong, and always finding the right way forward, that when the utterly fail to recognize what is right before their faces they afford great amusement for the reader.
Goldsmith's Rev. Primrose is a family man: he is the happily married father of grown children (though they are not quite so matured that they know to avoid the pitfalls of false love, etc. -- issues the Primrose will have to deal with before the novel's conclusion). Yet, Primrose is also an ironic character -- in much the same way that Yorick and Adams are: they are educated, do understand the Protestant ethos, and are concerned about their duties as preachers, but they so often fail to do the right thing when it comes to their own persons and actual sphere of influence. It is as though they spend all their time in their own heads -- like Jane Austen's Mr. Collins -- and are unable to process the real world directly. This is the main problem of Primrose, as his name suggests (he is prim and proper and delicate like a rose -- but of course a father figure and leader of a parish needs to be of sterner, stronger stuff in order to lead, make good decisions, and provide a solid example). Primrose is not made of such stuff. While his Christian name is rather masculine -- Charles -- and he is noted to be a doctor, his surname betrays the nature of his true character -- he is prim and rosy and, by his own self-assessment, an "honest man" (Goldsmith 9).
Primrose is somewhat...
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