242). He does propose "a Media and Democracy Act, an omnibus bill that could be a way of showing how all of these issues are connected," but he does not provide any details of what might actually be included in this all-encompassing piece of hypothetical legislation (p. 242). Rather, he simply asserts that this potential legislation (that, if it actually included regulations to effectively combat the problems with American journalism would almost certainly never have passed at the time of his writing and would still be extremely unlikely now) could magically "create one easy to market and explain package of proposals that can forge a coalition with many stakeholders and constituencies" (p. 242). Schechter ends his laughably vague call to action by suggesting that if readers really want to transform American journalism into the kind of critical, investigatory institution that serves to reveal and constrain the machinations of power, they should email him with some ideas (p. 242).
Writing in a vacuum
Schechter's book is invaluable for one attempting to understand the media blitz which facilitated the Iraq War, but it regards it topic in a kind of textual vacuum, without regard for supplementary works on the same issues that might have proved helpful in providing some context. For example, in Screened out: how the media control us and what we can do about it, Carla Johnston (2000) manages to sum up in one sentence what Schechter does not really point out in his entire book:
In an attempt to increase profits, media owners and advertisers all too often abandon democratic processes and principles in order to invoke techniques of both content selection and production that are designed to frighten the public, immobilizing rather than empowering it (p. 160).
In Embedded, Schechter attempts to discuss the collusion of media and the American government in the run-up to and execution of the Iraq war without really discussing what the media actually gains from this relationship. He takes as a given the notion that governments intentionally deceive the public as a means "to soften noxious aspects of their actions for a public audience," but he offers no real reason why media organizations would likewise benefit from this deception (Jacobsen, 2008, p. 337). While Schechter's discussion of embedded journalists suggested that "access" is the carrot that keeps media entities following the official line, and he does mention that these official histories are "sold" to the public, he stops short of discussing what reimbursement the media receives for this service, and instead focuses his attention solely on the benefits to the government and military.
Thus, when Schechter notes in the introduction to Embedded that "networks like war" because "the spectacle builds ratings and revenues," he does so in such a way as to suggest that this profit motive is entirely natural and thus implicitly unassailable (Schechter, 2003, p. 18). This critical lacuna leads to further gaps that ultimately serve to hinder a true understanding of the failure of American journalism in the context of the Iraq war. For instance, Schechter disregards the ominously named "Shared Values Initiative," one of the more overt combinations of journalism, advertising, and propaganda which aimed to sell American imperialism in the guise of cultural similarity, a project only made possible by the "abnormal craving for new objects of [media] consumption" engendered by television news' transformation into a 24-hour entertainment and advertising stream (Gaither, 2007, p. 843, Danesi (Ed.), 2000, p. 158).
This problem is pervasive throughout Embedded, because Schechter seems disinterested in describing the means by which news media were "manipulating a news-report reaction, while at the same time appearing to be objective" in favor of simply repeatedly claiming they were doing so (Irani, 2007). Thus, he does not even address some of the more blatant and long-running forms of media control, such as the nearly two-decade long ban on media coverage regarding the coffins of those Americans killed in the war, which served to hide "the cost of the wars in Iraq and Afghanistan" and "control public anger over the conflicts" (Jakarta Globe, 2009, & New York Times, 2009). While Schechter's target was ostensibly the means by which dissent and support are controlled by the government through the acquiescence of the media, Embedded apparently has...
Alternatively, the person or group acknowledged as a legitimate representative may wish that the museum could continue to hold an object for the benefit of the other party." (Boyd, nd; p. 196) in this instance there should be clarity in the "terms and responsibilities of such holding..." (Boyd, nd; p.196) Boyd relates that in a museum that is 'collection-based' deaccession is an issue that is "exceedingly contentious" (p. 196)
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